Prostory narace

• We made a project in a curator cooperation00:00:01.038
• 00:00:01.038
• with Caroline Krzyszton in the Gallery NoD.00:00:06.038
• 00:00:06.038
• I could say that the project is nothing special.00:00:09.822
• 00:00:09.822
• It deals with a phenomenon,00:00:14.269
• 00:00:14.269
• which has been present in art scene for a long time.00:00:17.231
• 00:00:17.231
• We wanted to highlight the current question, namely, that is00:00:23.270
• 00:00:23.270
• nowadays, various approaches to visual artworks,00:00:27.621
• 00:00:27.621
• even those that before were not considered suitable, are being discussed.00:00:35.895
• 00:00:35.895
• In our case, it is the narration that has been seen negatively.00:00:44.681
• 00:00:44.681
• Within the artistic context,00:00:48.336
• 00:00:48.336
• the narrativeness has always been seen as pejorative.00:00:50.300
• 00:00:50.300
• The theme of narration is something paradoxical.00:00:54.489
• 00:00:54.489
• I think we liked to show artworks, which are experimental,00:01:01.283
• 00:01:01.283
• because they deal this theme in the context of visual arts.00:01:05.019
• 00:01:05.019
• Surely, it has its parallels in experimental00:01:12.210
• 00:01:12.210
• prose or film discourse of the second half of the 20th century.00:01:14.050
• 00:01:14.050
• The field of fine arts exhibited here represents a meeting point.00:01:21.376
• 00:01:21.376
• You can find here artworks dealing with texts,00:01:28.516
• 00:01:28.516
• by different approaches,00:01:31.053
• 00:01:31.053
• works on narration, differently stratified narration and00:01:35.723
• 00:01:35.723
• works stressing formal perspectives.00:01:39.236
• 00:01:39.236
• Together with Caroline, we chose some artists,00:01:48.768
• 00:01:48.768
• who work with texts, from the literary perspective,00:01:53.570
• 00:01:53.570
• for example, we chose Arnaud Maisetti,00:01:58.552
• 00:01:58.552
• a french writer, working with the theme in the context that could be close00:02:01.399
• 00:02:01.399
• to the Czech experimental prose of the 1960´s.00:02:06.695
• 00:02:06.695
• On the other hand, there are artists who work00:02:10.653
• 00:02:10.653
• with the visual aspects of the narration where00:02:16.915
• 00:02:16.915
• the story disappears and still the narration mechanisms are able to work.00:02:21.594
• 00:02:21.594
• Then it deals with the context of a story and its limitation.00:02:26.030
• 00:02:26.030
• In fact, the exhibition is presented quite analytically.00:02:29.870
• 00:02:29.870
• On the other hand, we wanted to present the exhibition with humour,00:02:35.048
• 00:02:35.048
• each work deals with the aspects I´ve just described,00:02:38.564
• 00:02:38.564
• there are various media.00:02:43.960
• 00:02:43.960
• In case of Miroslava and Vladimíra Večerová, in their video there is no story,00:02:49.427
• 00:02:49.427
• there is the stress on sensual perception.00:02:59.832
• 00:02:59.832
• Susanne Kass presents herself with an interactive performance,00:03:02.901
• 00:03:02.901
• she is working here in her office,00:03:11.533
• 00:03:11.533
• where she is mapping all the stories, and literary spaces she is living through,00:03:14.922
• 00:03:14.922
• it´s a never ending process of mapping the context,00:03:22.924
• 00:03:22.924
• its classification and archiving.00:03:27.228
• 00:03:27.228
• Then Ivan Svoboda´s videoart, he has been working with narration,00:03:30.604
• 00:03:30.604
• or Lenka Vítková, she takes account of gender aspects00:03:43.454
• 00:03:43.454
• relating to the way of narration.00:03:50.990
• 00:03:50.990
• Jan Pfeiffer works with the creation of a story by images, symbols and references.00:04:01.261
• 00:04:01.261
• Milan Mazur, he operates with a diverted video narrativeness.00:04:13.486
• 00:04:13.486
• The exhibition, as a complex, can be seen as a maze.00:04:42.532
• 00:04:42.532
• As well as the exhibition logo, it is a vary net of ideas.00:04:44.837
• 00:04:44.837
• Jan Šerých presents photos dealing with cycled narration.00:04:49.963
• 00:04:49.963
• You can guess whether there is some narration,00:05:00.189
• 00:05:00.189
• when it started, when it finished, how it happened.00:05:04.408
• 00:05:04.408
• He also exhibits his traditional works with texts in the café.00:05:10.868
• 00:05:10.868
• He shows wannabe senseless texts inspired by an English fairy-tale sentence.00:05:20.431
• 00:05:20.431
• Actually, he demonstrates the intersection of formal deconstruction and meaning.00:05:33.173
• 00:05:33.173
• The exhibition is not meant as a complete show of this theme,00:05:45.333
• 00:05:45.333
• it may be rather considered as a touch of this theme,00:05:49.862
• 00:05:49.862
• within the contemporary Czech art scene.00:05:52.271

Zde se můžete vyjádřit. (*nutné)