- Anetta Mona Chisa & Lucia Tkáčová, János Borsos, Róza El-Hassan, Ágnes Eperjesi, Miklós Erhardt, Juhász József R., Kassa Boys, Endre Koronczy, Miklós Mécs, Michal Moravčík, Ilona Németh, Omara, Martin Piaček, János Sugár, Bálint Szombathy, Jaroslav Varga, Jana Želibská
- József R. Juhász, Ilona Németh
- Události
- 01. - 02. Říjen 2010
- 2010
- 23. Říjen 2010
- 00:07:35
- SK
Nahlásit chybu
Events v "Komárno"
Kvalita přehrávaného videa je zvolena podle rychlosti vašeho připojení.
Medzinárodný umelecký projekt Transart Communication – Public Dialog je zameraný na maďarsko-slovenskú pohraničnú oblasť. Cieľom festivalu je opätovne premyslieť základné otázky interetnicých a multikultúrnych vťahov, predovšetkým s akcentom na aktuálne vzťahy slovensko-maďarského spolunažívania.Vo verejných priestranstvách Komárna a Komáromu, miest rozdelených hranicou, ležiacich na protiľahlých brehoch Dunaja, realizuje svoje projekty 20 maďarských a slovenských umelcov s nádejou, že prispejú k európskemu riešeniu existujúcich napätí, kultúrnych a etnických nezrovnalostí. Projekt v sebe zahŕňa umelecké sympózium, public artovú výstavu, performance a diskusie.
The project is named
"Transart Communication - Public Dialog".
It runs from October 1 to October 2.
It includes an exhibition of works
by ten Hungarian and ten Slovak artists.
The main themes are multiculturalism
and interethnicity in real life.
We also added the theme of Komárno
and that's why we invited the artists here.
They could observe the city
and then react to some situations.
We also reserved a few alternative venues
for the project,
such as the cinema
and one gallery
in an old factory building.
I see in this project
a challenge of self-reflection
to the inhabitants of the city
and the Hungarian minority.
Komárno is a symbol
of the Hungarian minority in Slovakia,
which is the reason why
there are so many political performances.
Everyone tries to find their own place
and to define it
historically and politically.
We invited the artists so that they could
express their opinion on the situation
and make the public see the reality
they live in
from a different angle.
There were also a few panel discussions.
Some issues simply needed to be discussed.
I think Komárno is a very special case
and we don't know exactly
how this project should continue.
It was specially conceived
for this city,
for its past and its present.
The project is a result
of the political events
of the last few years, at least for me.
It seemed to us that we needed to react
in our own way. It was a necessity.
If I were to choose my favorite work,
I'd probably choose
the work by Michal Moravčík.
In an ancient building he found pedestals
that faced the wall since 1945.
Moravčík made the pedestals
into rotating objects that anyone
who comes here can turn around.
And that's the point.
It's a reaction to a particular place
and the history of the place.
Another work
we are really happy to have here
is the Museum series
by the Kassa Boys group.
The works comment on several statements
spoken by Ján Slota.
It's important for local people to see this
because it's the first display
of this series
in the Hungarian part of Slovakia.
I'd like to add
that at the "Empathy Boutique"
created in the former cinema
you can see works by a gypsy artist
from Hungary
who made some naive paintings
depicting the visit of Sólyom,
the president of Hungary.
There is also an object found by János Sugár
during our first trip to Komárno.
He put it on T-shirts with texts
that you can read only in a mirror.
I was aware of the small size of Komárno
and of the fact that a similar event
has never taken place here.
And I'm satisfied with the result.
This was public art
and the public paid attention to it.
Any reaction is interesting for us,
whether it's positive, or negative.
We also organized two panel discussions
that were very important
because people may start to look
at the artworks in a different way
if they hear the opinion of an expert
during the discussion.
The panel discussions were just as important
as the artworks themselves.
"Transart Communication - Public Dialog".
It runs from October 1 to October 2.
It includes an exhibition of works
by ten Hungarian and ten Slovak artists.
The main themes are multiculturalism
and interethnicity in real life.
We also added the theme of Komárno
and that's why we invited the artists here.
They could observe the city
and then react to some situations.
We also reserved a few alternative venues
for the project,
such as the cinema
and one gallery
in an old factory building.
I see in this project
a challenge of self-reflection
to the inhabitants of the city
and the Hungarian minority.
Komárno is a symbol
of the Hungarian minority in Slovakia,
which is the reason why
there are so many political performances.
Everyone tries to find their own place
and to define it
historically and politically.
We invited the artists so that they could
express their opinion on the situation
and make the public see the reality
they live in
from a different angle.
There were also a few panel discussions.
Some issues simply needed to be discussed.
I think Komárno is a very special case
and we don't know exactly
how this project should continue.
It was specially conceived
for this city,
for its past and its present.
The project is a result
of the political events
of the last few years, at least for me.
It seemed to us that we needed to react
in our own way. It was a necessity.
If I were to choose my favorite work,
I'd probably choose
the work by Michal Moravčík.
In an ancient building he found pedestals
that faced the wall since 1945.
Moravčík made the pedestals
into rotating objects that anyone
who comes here can turn around.
And that's the point.
It's a reaction to a particular place
and the history of the place.
Another work
we are really happy to have here
is the Museum series
by the Kassa Boys group.
The works comment on several statements
spoken by Ján Slota.
It's important for local people to see this
because it's the first display
of this series
in the Hungarian part of Slovakia.
I'd like to add
that at the "Empathy Boutique"
created in the former cinema
you can see works by a gypsy artist
from Hungary
who made some naive paintings
depicting the visit of Sólyom,
the president of Hungary.
There is also an object found by János Sugár
during our first trip to Komárno.
He put it on T-shirts with texts
that you can read only in a mirror.
I was aware of the small size of Komárno
and of the fact that a similar event
has never taken place here.
And I'm satisfied with the result.
This was public art
and the public paid attention to it.
Any reaction is interesting for us,
whether it's positive, or negative.
We also organized two panel discussions
that were very important
because people may start to look
at the artworks in a different way
if they hear the opinion of an expert
during the discussion.
The panel discussions were just as important
as the artworks themselves.
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