- Výstavy
- 13. Leden - 11. Únor 2011
- 17. Leden 2011
- 00:02:28
- CZ
Nahlásit chybu
Events v "Fenester"
Kvalita přehrávaného videa je zvolena podle rychlosti vašeho připojení.
Pro Fenester Viktor Takáč inscenuje filmové natáčení, výstavu v galerii, fluidní inscenaci.
Viktor Takáč (* 1982) studuje na pražské AVU, dříve v ateliéru Nová média, nyní v ateliéru monumentální tvorby. Jeho práce zahrnuje videoobjekty, díla ve veřejném prostoru i instalace pro galerie. Má převážně intermediální charakter, avšak často využívá videozáznamy, obrazové časosběry a různé formální postupy kinematografie.
Fenester Shop window for contemporary art
Viktor Takáč DIPLOPIA OF SPACE
Can you see my pants?
Never mind...
But it would be a good promotion
for the girl who made them.
The installation you can see here
draws on the layout of this gallery.
Now that I focus less on video art,
the particular layout is suddenly very important
for the creation of my works.
This event stemmed from my reflections
about the inside, the outside,
and the space between,
which is the window of the gallery.
I worked with the mirroring of reality.
I put two wide-angle mirrors in the window,
one mirror being tilted.
The space in front of the gallery
resembles a staged reality in a movie.
I play with a change of context:
people come to a vernissage
only to find themselves at a movie shooting.
But the scene is incomplete
since there's no camera.
It's the window that makes it whole.
There's also another motif:
through the window
you can look outside the gallery,
seeing reality enclosed in a frame.
I see this as a parallel to a movie frame.
Similarly, a movie frame is created here
by the staged situation
delimited by the movie lighting equipment.
So that's it, in a nutshell.
Camera, editing
Viktor Takáč DIPLOPIA OF SPACE
Can you see my pants?
Never mind...
But it would be a good promotion
for the girl who made them.
The installation you can see here
draws on the layout of this gallery.
Now that I focus less on video art,
the particular layout is suddenly very important
for the creation of my works.
This event stemmed from my reflections
about the inside, the outside,
and the space between,
which is the window of the gallery.
I worked with the mirroring of reality.
I put two wide-angle mirrors in the window,
one mirror being tilted.
The space in front of the gallery
resembles a staged reality in a movie.
I play with a change of context:
people come to a vernissage
only to find themselves at a movie shooting.
But the scene is incomplete
since there's no camera.
It's the window that makes it whole.
There's also another motif:
through the window
you can look outside the gallery,
seeing reality enclosed in a frame.
I see this as a parallel to a movie frame.
Similarly, a movie frame is created here
by the staged situation
delimited by the movie lighting equipment.
So that's it, in a nutshell.
Camera, editing
Zde se můžete vyjádřit.
Vybráno ze stejné kategorie
HEXENSCHUS
Eva Jiřička
25. Květen - 10. Červen 2006 etc. galerie
KONEKŠN
Mira Gáberová, Ján Gašparovič, Kevin Hamilton, ..
25. Duben - 12. Květen 2006 Galerie c2c
SLEPÍ MUŽI PŘEMĚŘUJÍ SLONA
Silvina Arismendi, Josef Bolf, Patricie Fexová, ..
17. Květen - 03. Červen 2006 Galerie c2c