- Exhibitions
- 03. - 03. June 2010
- 2010
- 28. July 2010
- 00:02:15
- SK
Report error
Events in ""
The video quality is chosen according to your Internet connection.
Dorotha Sadovská’s latest series of portraits explore the boundaries between painting and object. The artist has built her canvases from an item of clothing worn by each of her subjects, leaving them to hang from the edges of the frame.
Dorota Sadovská "The Open Door Evening"
It is a new cycle,
new series of paintings,
continuation of my research between the painting
and something else
where painting becomes object.
Instead of the canvas, I have stretched a dress
belonging to that particular person depicted on it.
I stretched the inside part of the dress.
I did not cut it, just let it hang.
I have been working on it since March.
it is called a homograph.
For me, they are a kind of personified paintings
in which I see part of that person.
I approached the people who had agreed to model for me
asking them for some discarded dress that they used to wear.
All those years I work with purifying the body.
In my work the only iconography is the expression -
the subjects are nude and have no hair.
Now, in reverse fashion, I have returned to the personification,
as if I have, in a different way, admitted the personal
in that inside part of the dress that used to touch the skin.
It is a new cycle,
new series of paintings,
continuation of my research between the painting
and something else
where painting becomes object.
Instead of the canvas, I have stretched a dress
belonging to that particular person depicted on it.
I stretched the inside part of the dress.
I did not cut it, just let it hang.
I have been working on it since March.
it is called a homograph.
For me, they are a kind of personified paintings
in which I see part of that person.
I approached the people who had agreed to model for me
asking them for some discarded dress that they used to wear.
All those years I work with purifying the body.
In my work the only iconography is the expression -
the subjects are nude and have no hair.
Now, in reverse fashion, I have returned to the personification,
as if I have, in a different way, admitted the personal
in that inside part of the dress that used to touch the skin.
Here you can express yourself.
Selected from the same category
If (traning in materials and tools)
Tomáš Moravec, Roman Štětina, ..
25. August - 11. September 2010 A.M. 180Galerie města BlanskaMeetFactory
STILL ANOTHER EXHIBITION OF PAINTING
Josef Bolf, Oskar Dawicki, Roland Geissel, ..
25. - 25. November 2007 FUTURA
TONY CRAGG
Tony Cragg
10. February - 22. April 2006 Jiri Svestka Gallery