Is contemporary art a product of fascination with aesthetic objects or a space of knowledge production? In which way does art operate with knowledge in relation to the terrain of academy and science or to media channels of information exchange? Which aesthetic and formal means does it employ in order to establish this specific modus operandi?

In this new body of work, the artist continues her exploration of familiar surroundings. In a series of drawings, objects, installations, videos and photographs, the artist examines, probes, and often redefines the conventional idea and meaning of “to be at home”. Through creating a series of staged situations, illustrated in drawings, video, photographs and models, the artist attempts to define the scope of deeply-rooted patterns and rules, which either influence or determine our behavior as we attempt to integrate ourselves in – or, distance ourselves from - conventional structures.

Ivan Šuletić is the painter who use anaglyph in his work, that means technology of 3D pictures.

The project OPENEON follows the present trends, bringing art and design closer to general public. With the help of neon technology it “brings to light“ today‘s cultural and social issues, it confronts the public not only with the contemporary design, but also with the visual expression of given topics.

Monsters of the small-format in collages by John Dziaczkowski.

Streets, squares, parks, supermarkets, Internet portals, and other sites have become stages of urban life that allow us to display our everyday actions and behaviors. Many artists today work with the theatrical aspect of staging the self in everyday life.

A project concerning the student’s identity and its history. It is held in occasion of 20th anniversary of Velvet Revolution in Czech Republic. Who is a student? Why and what for are we studying? What is the status of students in our society? Who creates the image of students? What was the influence of student movements in the past and what influence can it have today?

One of the most personal photo series by Jan Durina. Jan Durina is working with photography, illustration, poetry and sound. Photographic pieces are mostly from „Contexts” series. These are composed portraits, where person - figure is getting in physical contact with material qualities of concrete environments or where author substitutes elementary immaterial relations by visual forms.

A site-performative exhibition by Icelandic artist Darri Lorenzen (*1978). He turns the exhibition space into a real and at the same time virtual protagonist by means of subtle interventions into its architecture and also by transforming it within a computer generated three-dimensional simulation. In the center of the (real) space stands a wooden, antique vitrine deriving from the inventory of the adjacent former Karl-Marx-bookstore. This display object becomes both the projection screen (of an absent art object) and the animated actor within the computer simulation – in addition to further personnel gradually made up by the visitors during the time of the exhibition. The visitor is thus becoming a part of an interplay of shifting and overlapping perceptions of space, time and body.

Ilona Neméth, Martin Piaček a Jánoš Sugár are giving a play to common subjects, that we can substitute with any concrete content (eg. places, people conflicts and other ways of  communication, … and the results or processes of it) and which might be disintegration or integration, banalization, alienation or aggression, silent appeal, intervention etc. But the concrete is only suggested and not really entered. Mud fight by Ilona Neméth, construction disintegrading into gallows-like pieces by Martin Piaček and public signs with everyday human statements bordering importance by Jánoš Sugár are clear forms language, talking about shadow troubles of relations.