Bez názvu 19 – bez názvu 21
„Radek Brousil se snaží pro klasickou analogovou fotografii zachovat konceptuální řeč a strategie. Jak naznačuje samotný název výstavy, používá mechanické metody k odlišení jednoho obrazu od druhého. Mění tak nejen podobu a způsob prezentace obrazu, ale skrze ně i jeho význam. Formálně – na této výstavě nejčastěji v rámci diptychů – posunuje obsahy jakoby šlo o hru.“
- Good evening dear friends, distinguished guests,00:00:03.335
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- ladies and gentlemen. I would like to introduce to you00:00:07.299
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- the author of this exhibition Radek Brousil. The show is titled,00:00:10.454
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- as you may have noticed, "Untitled 19 - Untitled 21".00:00:16.449
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- A certain sense of being oversaturated with image00:00:22.982
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- leads him to a structural approach; he combines photographs from his archive.00:00:24.574
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- It is about the exploration of the limits of the medium with which I work.00:00:32.349
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- These photographs are layered on each other in collages,00:00:41.493
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- their format is changed, there are sharp cut images.00:00:44.695
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- Parts of photographs are then assembled into new diptychs,00:00:47.497
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- compositions, images, varieties. He uses mathematical00:00:53.309
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- principles of combinatorics. - I deal with combinations00:00:58.771
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- and variations of images. This is the main theme00:01:06.105
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- of this whole corpus, a work-in-progress00:01:10.688
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- which is not yet limited. The curtain is actually...00:01:15.866
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- The photograph of a curtain gives the show a sense of mystery,00:01:21.718
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- a promise of other possibilities, combinations, situations00:01:25.708
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- that must be taking place behind it...00:01:29.332