KULTURKONTAKT

• Today´s exhibition is an honour to KulturKontakt Austria, an institution,00:00:08.035
• 00:00:08.035
• that has supported education, art, artists,00:00:13.781
• 00:00:13.781
• and cultural relations from former Eastern bloc countries for twenty years.00:00:17.683
• 00:00:17.683
• KulturKontakt has chosen carefully the youngest talented artists00:00:20.958
• 00:00:20.958
• for the program "Artist in Residence"00:00:25.066
• 00:00:25.066
• to help them in their career, and to introduce them into international contacts.00:00:27.562
• 00:00:27.562
• In the Czech Republic 11 artists have been elected,00:00:32.222
• 00:00:32.222
• but because of the reduced space of this gallery,00:00:35.201
• 00:00:35.201
• only four of them have been given the opportunity to present themselves here.00:00:40.074
• 00:00:40.074
• Mila Preslová uses the photography as a medium.00:00:43.784
• 00:00:43.784
• Photography stands very close to reality.00:00:46.232
• 00:00:46.232
• However, the author cancels this proximity, this natural tendency of photography, and00:00:49.666
• 00:00:49.666
• shows its symbolism in upper symbolical level.00:00:58.362
• 00:00:58.362
• She leads us to meditation out of scrummage of situations we live every day,00:01:02.030
• 00:01:02.030
• and she enables us to catch their surplus value while living them.00:01:11.528
• 00:01:11.528
• Daniel Pitín, a painter.00:01:14.941
• 00:01:14.941
• Painting as a medium brings many possibilities to get closer to reality.00:01:18.122
• 00:01:18.122
• Unlike Preslová, he chooses concrete situations.00:01:23.356
• 00:01:23.356
• Sort of instant moments likewise on photography, where not a theme or an idea,00:01:26.019
• 00:01:26.019
• but a casualness is the most important.00:01:33.473
• 00:01:33.473
• Situations on his paintings are scrummages of moments00:01:36.389
• 00:01:36.389
• when an accident breaks natural course of things,00:01:39.458
• 00:01:39.458
• and we see them in their weird existence.00:01:43.542
• 00:01:43.542
• Jiří Surůvka. An artist, performer, dialectic.00:01:46.588
• 00:01:46.588
• He always connects several concrete and contrast levels that00:01:52.250
• 00:01:52.250
• grow over into a paradoxical complex.00:01:55.851
• 00:01:55.851
• He works with contrasts of the positive and negative00:01:59.676
• 00:01:59.676
• and their validity in the unity of content and form.00:02:07.845
• 00:02:07.845
• Brody plays a provocative role of a liberator from stereotypes, conventions00:02:19.024
• 00:02:19.024
• in aesthetics, politics, religion, art, and sex.00:02:26.224
• 00:02:26.224
• The well-known situations in his impudent videos00:02:29.178
• 00:02:29.178
• if we are open, can be seen again out of taboos present in society.00:02:35.175

Zde se můžete vyjádřit. (*nutné)