Daniela Baráčková

• It must be nice to work here.00:00:01.960
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• Yeah, it really makes me feel at home,00:00:05.714
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• the house is full of my family.00:00:09.981
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• - Can I borrow the book by Cílek? - Sure.00:00:13.394
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• - You're a fast reader, right? - I think so.00:00:18.282
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• - I printed out your questions... - I can remember them.00:00:22.892
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• First we'll talk about her beginnings,00:00:42.797
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• how she came to Prague from Brno,00:00:46.808
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• and the things that influenced her as an artist.00:00:51.423
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• The answer says "choleric". What does it mean?00:00:56.784
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• Then we'll talk about the form, about flexibility,00:01:01.500
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• multimedia and using various materials.00:01:06.522
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• Recently she's had the tendency00:01:10.481
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• to make elaborate installations00:01:13.981
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• that offer parallels with architecture.00:01:17.563
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• Go ahead, shoot this.00:01:21.904
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• It should stretch all the way to Palmovka.00:01:25.404
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• That's what I like about this place. I live over there.00:01:30.348
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• In 10 years, there will be new houses everywhere,00:01:36.263
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• apartments and office buildings.00:01:42.371
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• Then we talked about her move from the original minimalism.00:01:45.871
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• Now her projects surprisingly have several characters00:01:51.670
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• and she attaches more and more importance to texts.00:01:57.962
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• It's not a rule, though.00:02:03.557
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• I live on the highest floor over there.00:02:12.080
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• On the far right.00:02:17.419
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• "I Wanted to Paint 40 Jews Praying Before the Flight" (NoD Gallery)00:02:20.364
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• The exhibition was much more intuitive than my current ones.00:02:25.879
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• It was simply a collection of the works I had made00:02:32.299
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• with similar themes.00:02:38.103
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• But the purpose wasn't to make a stand-alone exhibition.00:02:41.603
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• It also included the model of the cinema in Doksy.00:02:48.225
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• That was the common element of the paintings and the videos.00:02:53.330
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• The context of the specific space is always important.00:02:59.299
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• I can't separate my works from the space and vice versa.00:03:05.008
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• The original one, the gray one. And that's the hotel.00:03:10.567
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• "Pavel and the Apartment Blocks"00:03:17.415
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• This is where I shot "Pavel and the Apartment Blocks".00:03:20.899
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• Since then, several poplars have been cut down00:03:25.399
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• and the building has been renovated.00:03:29.999
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• He's probably autistic.00:03:35.660
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• He was rocking from side to side as I passed by00:03:39.385
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• and I just had to record it.00:03:44.746
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• The hotel appeared in the movie "Kinoautomat"00:03:48.224
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• screened at Expo '67.00:03:53.125
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• So it's quite an important building.00:03:56.149
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• It continues to fascinate me.00:04:00.149
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• I had my largest exhibition in Karlín.00:04:03.910
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• It was already more structured, focused on the installation00:04:11.724
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• and the connections.00:04:19.012
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• There were models of houses where the videos were shown.00:04:22.673
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• Each model represented the house where the video was shot.00:04:28.250
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• Can you say the title of the exhibition?00:04:34.534
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• "To Create a Swing From a Tire With a Rock Devil".00:04:38.662
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• Do you need help? Let's show just one or two.00:04:46.677
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• See, these are unpacked. So that's the "rock devil".00:04:51.441
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• All right, I'll tell you.00:04:57.270
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• These motifs are inspired by a Christian camp.00:05:01.018
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• Hence the intuitive use of the devil, probably.00:05:06.094
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• I like the view. That's the hotel Olympik.00:05:11.365
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• These plants also create a nice atmosphere.00:05:19.467
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• "High Rises"00:05:25.083
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• That's where I shot the video.00:05:28.824
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• More important than these buildings00:05:33.521
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• is the active participation in spontaneous local events.00:05:38.402
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• If there's more of us, we have collective responsibility.00:05:43.816
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• We must make it cosier. Houses and entrances, face to face.00:05:49.229
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• That's one of my most recent works.00:05:54.729
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• It uses a text by Jan Gehl,00:06:00.449
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• from the book "Život mezi budovami".00:06:04.364
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• It's dubbed "the Bible of urbanism".00:06:08.864
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• It's an older text but still quite contemporary.00:06:12.757
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• The videos are set around the high rises.00:06:18.670
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• This interesting space is often only half-completed.00:06:24.760
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• Let's move on.00:06:31.193
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• The first thing we'll see is the popular cycle track.00:06:35.191
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• We don't cycle, we just push the baby carriage.00:06:40.788
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• Now I'd like to make an important remark.00:06:49.553
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• I've had two turning points in my life:00:06:55.126
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• first, my studies at the Academy of Arts, Architecture and Design,00:06:59.261
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• and second, my maternity leave, although it may sound weird.00:07:05.742
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• It gave me a completely perspective on the space.00:07:11.629
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• I think that's why my works are now more elaborate.00:07:16.842
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• Women on maternity leave spend00:07:22.629
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• so they make better use of it and they think about it more.00:07:29.300
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• Again, the cycle track is a great thing.00:07:35.569
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• Over there you can see a concrete plant,00:07:40.746
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• the source of everything that will grow here.00:07:45.620
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• There is a Japanese garden around it.00:07:51.256
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• And look at this beautiful ruin, a home for the homeless.00:07:56.083
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• Now let's go closer to the concrete plant.00:08:01.583
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• THE THEME00:08:06.083
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• Currently it's the space. But that can change.00:08:09.199
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• In a different period of my life, it was family.00:08:15.607
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• I think that you can analyze anything,00:08:20.419
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• however sentimental and commonplace it may sound,00:08:24.738
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• like death, for instance.00:08:29.484
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• The reflections about suffering00:08:32.220
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• always relate to situations perceived as critical.00:08:35.720
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• That was the theme of suffering and manipulation.00:08:40.927
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• It all reflected the situation in my family,00:08:46.179
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• my relationship with my parents,00:08:50.816
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• namely with my father who had a stroke 3 years ago.00:08:55.580
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• From a healthy person he became disabled.00:09:01.074
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• Stories shape my changing identity00:09:05.644
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• and help me cope with it.00:09:09.796
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• Narration is a method of expressing my suffering.00:09:13.692
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• It creates a common space for me and my audience.00:09:18.988
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• It allows us to meet and influence each other.00:09:23.432
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• You'll have to talk about the country man.00:09:27.861
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• Do you know her "Country Man" video?00:09:32.051
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• It talks about a strong childhood experience.00:09:36.161
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• It was at night. He sat on my bed,00:09:51.221
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• stroking my naked body with his leather glove.00:09:55.815
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• Well, it's based on a real story but that's not important.00:10:01.062
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• And the theme of death?00:10:09.610
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• As I said, he burned to death in that cottage00:10:13.323
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• several years after he had come to the tent00:10:20.811
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• and done those things.00:10:25.633
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• I think I'd like to say one of the quotes here.00:10:32.151
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• It's from the fairy tale series about bumblebees.00:10:36.892
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• "The name is not important. What's important is the house."00:10:42.279
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• Was it audible enough?00:10:50.829
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• It's a good quote for my name - Baráčková.00:10:54.398
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• Camera, editing Interview00:11:03.283
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• At night I always talk to my daughter00:11:06.967
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• about what we experienced that day.00:11:11.200
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• We might do the same now. But that's too many things.00:11:15.487
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• I think we've had some nice experiences.00:11:21.714
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• So that's the end.00:11:26.298
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• You can shoot the building without us.00:11:30.214

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