Frejm baj frejm
Výstava Frejm baj frejm predstavuje diela sedemnástich výtvarných umelcov zo Slovenska, Českej republiky, Maďarska, Rakúska a Mexika, ktorí vo svojej tvorbe využívajú médium animácie.Je paralelnou prezentáciou popri animovaných filmoch predstavených v rámci medzinárodného festivalu animovanej tvorby Fest Anča, a prináša možnosť porovnať odlišnosti v prístupoch filmového a výtvarného umenia pri používaní animácie.
- I tried to organize the exhibition00:00:26.307
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- so that it would make a clear parallel to the film festival Fest Anca.00:00:29.082
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- Thus, the presented animations were in contrast to00:00:35.072
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- the film animations shown at the festival00:00:39.148
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- where spectators watch the full time animations00:00:42.482
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- in the film rooms one after another.00:00:46.368
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- Unlike to the film festival,00:00:49.294
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- each work was installed separately in the exhibition.00:00:51.169
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- The exhibition takes place in two different places.00:00:54.705
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- One part is in Považská gallery of art00:00:57.099
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- and the second part is in New synagogue00:00:59.829
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- (that is currently under the reconstruction.).00:01:02.296
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- I tried to arrange all works thematically.00:01:14.498
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- So in Považská gallery we find Oto Hudec´s work00:01:17.803
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- showing the move of immigrants from their home country00:01:21.675
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- to the dreamland of the first world.00:01:25.380
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- David Možný decomposes a socialistic housing estate and00:01:27.752
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- brings to life inanimate space00:01:31.701
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- and creates a kind of a new movement.00:01:34.948
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- Jan Pfeiffer analyzes movement of people in urban space.00:01:37.782
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- So all three works deal with00:01:41.481
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- the motion in time and space00:01:43.936
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- that's why they were put together.00:01:46.061
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- In the synagogue we can find more heterogeneous works.00:01:50.327
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- However, I tried to make use of the premises as much as possible.00:01:54.266
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- I chose the works that somehow fit in the synagogue00:02:00.829
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- and I installed them in a way00:02:03.310
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- so that the environment would underline the character of each work.00:02:05.248
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- The works were installed in some dark corners,00:02:10.449
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- or directly on the cracked plaster.00:02:14.396
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- Some works were installed site specific,00:02:17.977
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- e.g. Tomas Bujnak´s animation "Workers"00:02:22.073
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- was installed directly on the synagogue's columns.00:02:24.752
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- It presents workers pushing wheelbarrows00:02:29.608
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- and climbing up the columns.00:02:31.918
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- Another example of a site specific art00:02:33.918
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- is Matěj Smetana´s "Factory".00:02:36.482
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- His factory producing stars00:02:38.596
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- or other ideological symbols00:02:40.027
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- fits perfectly into the synagogue premises00:02:42.188
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- as the synagogue is also an ideological place.00:02:45.374
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- My work "324" is directly connected to the Jewish issue.00:02:48.693
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- I was inspired by the subway in Topolčany00:02:53.409
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- from which I visually transformed the list of 324 victims of the Holocaust in that town.00:02:56.345