Rozklad systémů
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- Systems' Decomposition00:00:08.944
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- The name is ironical,00:00:19.255
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- of course it makes fun of00:00:21.179
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- some art genres a bit, but not literally.00:00:23.644
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- The point was to make the name sound pompous,00:00:31.843
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- which means the name is unbounded.00:00:36.067
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- However the systems here are interpreted simply,00:00:40.882
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- they are simple sets of things in a studio,00:00:44.485
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- such as watercolors I regard as a complete00:00:51.167
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- system we can watch decompose.00:00:53.633
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- The whole exhibition is interconnected by00:01:03.278
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- the relation between photograph and sculpture.00:01:05.930
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- I worked with the fact that photography flattens00:01:08.034
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- and this exhibition should bring it back to space.00:01:13.660
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- Even though just in hints.00:01:19.726
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- I am interested in creating universal situations which00:01:25.103
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- are general with fixed parameters00:01:29.152
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- or views that can be interpreted anyhow.00:01:33.795
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- I am not interested in telling anything specific,00:01:42.398
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- I prefer creating a certain tension in familiar situations.00:01:45.200
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- It's important to say the exhibition is solo00:01:56.051
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- so there isn't any third entity of a co-operation00:02:00.406
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- and it's all based personally.00:02:08.379
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- Which means there is my personal experience00:02:12.484
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- at the beginning of each work but00:02:15.108
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- I tried to remove it as much as possible.00:02:18.301
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- But it was a starting point for each work.00:02:21.645
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- The exhibition in general should00:02:28.318
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- just shift understanding photography as a picture00:02:29.956
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- of something in front of the objective.00:02:33.433
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- The point of all the work here is00:02:41.868
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- a confrontation with sculpture.00:02:43.870
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- When the sculpture takes place in the picture,00:02:45.826
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- it's flat and framed.00:02:48.921
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- When it takes place beyond,00:02:51.512
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- it comes out from the wall00:02:55.704
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- and stuck on a rod in the space.00:02:57.791
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- I found important to point it out.00:03:03.430
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- I decided not to have any text or speech there,00:03:15.101
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- I wanted the exhibition without any commentary00:03:22.400
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- as I'm interested in having it fully open00:03:25.374
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- and the only communication00:03:29.664
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- takes place at the visual level.00:03:33.661
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- At the same time I find these ways quite legible00:03:42.112
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- and it depends on the viewer00:03:46.234
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- how he deals with it.00:03:48.792
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- The exhibition is based on the viewer's participation.00:03:51.004