Frejm baj frejm 3
Tretí ročník výstavy Frejm baj Frejm 3 rovnako ako predošlé tematicky zjednocuje tvorivá analýza technologických a koncepčných možností média animácie v galerijnom priestore. Koncepcia výstavy vychádza z charakteru a lokality výstavného priestoru. Vystavené diela spája práca s mestským prostredím, jeho prvkami, priestorom, zvukmi, symbolmi skupín alebo emóciami jednotlivca. Vznikla audiovizuálna inštalácia z animácií od troch zahraničných autorov (Krišs Solemnis, Eszter Szabó, Nemanja Nikolić) projektovaných na steny galérie v striedavom poradí. V časových intervaloch medzi jednotlivými projekciami bol celý priestor náhle zmenený na inú inštaláciu jednoduchou premenou osvetlenia. Priestorová kresba, ktorá sa nečakane zjaví ÚV svetlom na stenách galérie. Ilúzia fiktívneho mestského priestoru vytvorila špecifické vizuálne prostredie pre zvukovú inštaláciu Sláva Krekoviča, v ktorej divák svojím pohybom v galérii „animoval“, teda oživoval a privádzal do pohybu rozličné zvuky iluzívneho mesta.
- This year Frejm baj Frejm is happening for the third time.00:00:10.628
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- Every year we try to show how visual artists work with animations00:00:13.120
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- contrary to the whole festival where we can see mostly film works,00:00:18.043
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- which are screened in screening room.00:00:21.392
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- But as we are in gallery space, we show the works in different way.00:00:22.875
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- When the spectator enters the gallery, there is no order to watch the films,00:00:27.809
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- he does not have to see them till the end, he can leave whenever00:00:32.941
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- he wants, he can watch it differently each time depending on00:00:35.468
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- how they are installed.00:00:38.194
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- The theme is always the medium, second important theme here is00:00:40.744
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- the cooperation - it is because the animation cannot be separate00:00:47.733
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- artistic field since many people take part in it.00:00:56.311
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- I tried to install all the three works plus the sound installation by Krekovic00:00:59.323
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- in such a way to make one multi medial installation together.00:01:03.224
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- When the visitor enters the gallery, first work he can see is by artist00:01:08.862
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- from Lithuania Krišs Salmanis - he was taking a photograph of the clock00:01:15.496
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- at the railway station every day at 11.11.00:01:21.221
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- The tower with the clock does not exist any more,00:01:24.598
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- and here we can see repeatedly the same hour 11.11.00:01:28.031
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- I mostly work with sound, so I decided to make a work00:01:32.274
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- which would respond to the animations happening here, as well as create00:01:43.753
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- an imaginary space - so there are three video screenings and then00:01:51.739
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- an interactive and generative tool will start up creating sound space00:01:55.108
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- in which the visitors may move around.00:02:04.285
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- It is made as space sound, so the sounds are coming from all directions.00:02:06.188
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- Another author paraphrases traditional painting compositions00:02:12.052
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- in animations, such as portrait, landscape painting - adding the features00:02:18.352
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- of contemporary fashion and economical influences00:02:23.555
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- and creates an utopia, ironic concept of ideal future.00:02:25.773
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- Nemanja Nikolic exhibits the work in which he drew detaily a shot00:02:30.722
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- from a film of Alfred Hitchcock, but purposely left out the birds -00:02:46.641
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- one of the features of the film composition and he created00:02:50.915
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- indefinite existential atmosphere.00:02:54.845
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- The whole exhibition is accompanied by the drawing of imaginary city00:02:57.006
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- on the gallery walls - it is an UV drawing, so sometimes we see it00:03:05.616
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- and sometimes not - one wall in the gallery is different every time00:03:11.030
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- once we see a video installation, then we can see only the wall drawing00:03:14.449
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- with sound installation and it all creates an overall impression.00:03:19.963