DOMINO DINER
Vernisáž výstavy ostravských studentů nových médií v Galerii AVU.
- Dušan Záhoranský is that sort of artist00:00:20.233
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- that when you say his name,00:00:24.356
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- at least I don't picture anything concrete,00:00:26.781
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- because he operates00:00:30.527
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- in all kinds of media.00:00:34.186
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- The way of deforming an image00:00:41.147
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- is an old technique from the 16th century,00:00:44.554
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- Holbein has a famous painting00:00:52.774
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- where he used hidden, coded information,00:00:55.457
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- so the method of coding paintings00:01:00.249
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- is used in art,00:01:04.365
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- so my approach should be...00:01:06.138
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- so I was inspired,00:01:09.408
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- but working with the digital technology,00:01:11.576
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- that is my procedure00:01:16.236
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- through which I wanted to transfer the method00:01:18.768
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- into today's context.00:01:23.445
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- The documentation is purposely00:01:26.545
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- the transfer of the art in public space00:01:29.693
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- that can actually be found00:01:34.153
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- not far from our gallery,00:01:35.756
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- about five minutes on foot,00:01:37.857
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- that is where a part of this exhibition is,00:01:41.570
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- but Dušan purposely distorted the transfer,00:01:46.760
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- so it is not a documentation,00:01:50.806
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- but a part of a whole00:01:53.057
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- and on first sight it is obvious00:02:00.025
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- that there is a play with scale,00:02:05.499
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- or rather proportions of what is being transferred,00:02:07.584
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- so the result is that00:02:12.658
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- the actual thing in the space00:02:16.211
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- cannot be seen here but neither00:02:17.965
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- in the actual space of the Chinese restaurant,00:02:21.213
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- the result should be00:02:27.085
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- somewhere in thinking.00:02:30.436
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