TUHNOUCÍ FORMA S MĚKKÝMI OKRAJI – NOVÝ ŘEZ SBÍRKOU MAREK
Sběratelé Markovi neusilují o vytvoření „úplného obrazu“ současného českého umění, který by si nárokoval platnost nějakého kánonu. Některá místa onoho ideálního úplného obrazu tak zůstávají prázdná, jinde se jeho struktura naopak výrazně zhušťuje a celý tvar je tedy neustále v pohybu. Proměnlivá vnitřní dynamika sbírky Marek je v Galerii města Blanska nejen východiskem pro výběr jednotlivých artefaktů, ale promítá se i do koncepce celé instalace.
- "Thickening Form with Soft Margins"00:00:09.251
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- It is an exhibition in the Town Gallery Blansko.00:00:12.400
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- It started on 12 December.00:00:16.733
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- It will last until 3 February.00:00:18.489
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- It is the second presentation of the exhibition project Marek.00:00:20.162
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- The first took place two years ago.00:00:23.420
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- It was held in Brno under curatorship of Jiří Ptáček.00:00:25.060
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- With respect to the short time from the exhibition in Brno,00:00:28.668
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- I wanted to find some new attitude how to work with the collection.00:00:31.210
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- Of course, the collection is bigger, here is just a part of it.00:00:35.103
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- I decided to catch the collection as a process.00:00:38.681
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- I wanted to show how the collector´s activity change during time.00:00:43.105
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- The collection of the brothers Markovi consists of two layers.00:00:51.385
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- First layer offers artists who are represented by00:00:56.921
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- more than one picture of his in the collection.00:01:02.337
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- The second layer is composed of solitaires.00:01:08.303
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- This double approach may be reflected00:01:15.626
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- in the metaphorical title, "Thickening Form with Soft Margins".00:01:23.535
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- It may point out these two layers present in the collection.00:01:31.905
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- The installation itself is made so00:01:36.349
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- viewers may see both the layers at each phase of the exhibition.00:01:41.393
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- The installation is a combination of the two layers.00:01:53.532
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- It is fifty to fifty in this bigger room.00:02:00.602
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- In the smaller one, there is a temporary storeroom.00:02:06.250
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- There are things from previous or for next installations.00:02:11.271
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- In fact, the main authors are exhibited permanently00:02:23.356
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- the other things change twice. There are two reinstallations.00:02:26.850
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- The first part of the things was installed here just the first week00:02:32.311
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- the second part until the first third of January.00:02:38.546
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- The third reinstallation will be here the last week.00:02:42.524
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- We were thinking about the manner00:02:48.993
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- of distinguishing these two layers.00:02:51.920
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- Finally, we ended up with color variation of legends.00:02:53.944
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- In the storeroom, viewers may see the temporary artworks.00:03:07.390
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- Most things are wrapped so they can´t be seen. You can just presume a bit.00:03:14.143
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- It is a kind of hide-and- seek game with viewers.00:03:18.546
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- The selection of authors was a bit intuitive.00:03:21.903
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- I tried to find the authors I knew the collectors bought them again and again.00:03:28.854
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- Such as Josef Bolf, Eva Koťátková, Jakub Hošek, or Vít Soukup.00:03:35.638
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- In case of Jakub Hošek and Josef Bolf00:03:51.411
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- the purchases are regularly.00:03:52.722
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- Speaking about the individual paintings,00:03:58.425
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- I chose them mainly according to the aesthetic criteria00:04:02.800
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- I wanted the exhibition to look interesting and good.00:04:06.224
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- There is an intellectual concept in the exhibition.00:04:10.416
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- We wanted it to look good as a whole.00:04:16.498
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- We wanted to exhibit all media that are represented in the collection.00:04:21.105
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- Mostly there are paintings but you can also find some videa.00:04:25.148
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- It is not usual to buy new media.00:04:38.126
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- We tried to exhibit objects.00:04:40.568
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- Here you can see Petr Písařík´s work.00:04:44.632
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- Another important thing was to show00:04:50.485
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- things that were not seen in Brno.00:04:53.899
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- We managed it and I think that it is still representative.00:04:58.309