TUHNOUCÍ FORMA S MĚKKÝMI OKRAJI – NOVÝ ŘEZ SBÍRKOU MAREK

• "Thickening Form with Soft Margins"00:00:09.251
• 00:00:09.251
• It is an exhibition in the Town Gallery Blansko.00:00:12.400
• 00:00:12.400
• It started on 12 December.00:00:16.733
• 00:00:16.733
• It will last until 3 February.00:00:18.489
• 00:00:18.489
• It is the second presentation of the exhibition project Marek.00:00:20.162
• 00:00:20.162
• The first took place two years ago.00:00:23.420
• 00:00:23.420
• It was held in Brno under curatorship of Jiří Ptáček.00:00:25.060
• 00:00:25.060
• With respect to the short time from the exhibition in Brno,00:00:28.668
• 00:00:28.668
• I wanted to find some new attitude how to work with the collection.00:00:31.210
• 00:00:31.210
• Of course, the collection is bigger, here is just a part of it.00:00:35.103
• 00:00:35.103
• I decided to catch the collection as a process.00:00:38.681
• 00:00:38.681
• I wanted to show how the collector´s activity change during time.00:00:43.105
• 00:00:43.105
• The collection of the brothers Markovi consists of two layers.00:00:51.385
• 00:00:51.385
• First layer offers artists who are represented by00:00:56.921
• 00:00:56.921
• more than one picture of his in the collection.00:01:02.337
• 00:01:02.337
• The second layer is composed of solitaires.00:01:08.303
• 00:01:08.303
• This double approach may be reflected00:01:15.626
• 00:01:15.626
• in the metaphorical title, "Thickening Form with Soft Margins".00:01:23.535
• 00:01:23.535
• It may point out these two layers present in the collection.00:01:31.905
• 00:01:31.905
• The installation itself is made so00:01:36.349
• 00:01:36.349
• viewers may see both the layers at each phase of the exhibition.00:01:41.393
• 00:01:41.393
• The installation is a combination of the two layers.00:01:53.532
• 00:01:53.532
• It is fifty to fifty in this bigger room.00:02:00.602
• 00:02:00.602
• In the smaller one, there is a temporary storeroom.00:02:06.250
• 00:02:06.250
• There are things from previous or for next installations.00:02:11.271
• 00:02:11.271
• In fact, the main authors are exhibited permanently00:02:23.356
• 00:02:23.356
• the other things change twice. There are two reinstallations.00:02:26.850
• 00:02:26.850
• The first part of the things was installed here just the first week00:02:32.311
• 00:02:32.311
• the second part until the first third of January.00:02:38.546
• 00:02:38.546
• The third reinstallation will be here the last week.00:02:42.524
• 00:02:42.524
• We were thinking about the manner00:02:48.993
• 00:02:48.993
• of distinguishing these two layers.00:02:51.920
• 00:02:51.920
• Finally, we ended up with color variation of legends.00:02:53.944
• 00:02:53.944
• In the storeroom, viewers may see the temporary artworks.00:03:07.390
• 00:03:07.390
• Most things are wrapped so they can´t be seen. You can just presume a bit.00:03:14.143
• 00:03:14.143
• It is a kind of hide-and- seek game with viewers.00:03:18.546
• 00:03:18.546
• The selection of authors was a bit intuitive.00:03:21.903
• 00:03:21.903
• I tried to find the authors I knew the collectors bought them again and again.00:03:28.854
• 00:03:28.854
• Such as Josef Bolf, Eva Koťátková, Jakub Hošek, or Vít Soukup.00:03:35.638
• 00:03:35.638
• In case of Jakub Hošek and Josef Bolf00:03:51.411
• 00:03:51.411
• the purchases are regularly.00:03:52.722
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• Speaking about the individual paintings,00:03:58.425
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• I chose them mainly according to the aesthetic criteria00:04:02.800
• 00:04:02.800
• I wanted the exhibition to look interesting and good.00:04:06.224
• 00:04:06.224
• There is an intellectual concept in the exhibition.00:04:10.416
• 00:04:10.416
• We wanted it to look good as a whole.00:04:16.498
• 00:04:16.498
• We wanted to exhibit all media that are represented in the collection.00:04:21.105
• 00:04:21.105
• Mostly there are paintings but you can also find some videa.00:04:25.148
• 00:04:25.148
• It is not usual to buy new media.00:04:38.126
• 00:04:38.126
• We tried to exhibit objects.00:04:40.568
• 00:04:40.568
• Here you can see Petr Písařík´s work.00:04:44.632
• 00:04:44.632
• Another important thing was to show00:04:50.485
• 00:04:50.485
• things that were not seen in Brno.00:04:53.899
• 00:04:53.899
• We managed it and I think that it is still representative.00:04:58.309

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