NON STOP
Existenciálně pocitové sdělení v instalaci Dariny Alster se snaží schizofrenně navodit temný i laciný dojem nočních podniků.
- Object - Victim - Man00:00:08.406
- 00:00:08.406
- These three words blend together00:00:15.512
- 00:00:15.512
- and contain a certain irrational message,00:00:19.120
- 00:00:19.120
- an emotional message.00:00:21.776
- 00:00:21.776
- There is a certain relationship between the three words:00:00:24.717
- 00:00:24.717
- man, object and victim.00:00:27.117
- 00:00:27.117
- As you watch them blinking,00:00:30.181
- 00:00:30.181
- they can evoke a very large field of associations.00:00:33.807
- 00:00:33.807
- The message isn't contained in a finished sentence00:00:38.924
- 00:00:38.924
- because it is all said at once.00:00:41.891
- 00:00:41.891
- It expresses a deeply existential feeling.00:00:45.882
- 00:00:45.882
- As for the form,00:00:50.766
- 00:00:50.766
- 00:00:50.766
- I used black plastic to give an impression of cheap pornography -00:00:53.538
- 00:00:53.538
- of a room that you can easily clean with a garden hose.00:01:01.159
- 00:01:01.159
- I wanted to create a very cheap impression,00:01:06.900
- 00:01:06.900
- the atmosphere of non-stop bars or peep-shows.00:01:10.611
- 00:01:10.611
- All these places have a strange darkness in them,00:01:14.957
- 00:01:14.957
- and use neon lights00:01:19.631
- 00:01:19.631
- to draw attention.00:01:22.882
- 00:01:22.882
- The blinking penetrates people's retinas.00:01:24.751
- 00:01:24.751
- I've always been fascinated by the aesthetics00:01:30.442
- 00:01:30.442
- of non-stop bars and00:01:33.385
- 00:01:33.385
- the way they work with space.00:01:34.888
- 00:01:34.888
- Prior to this project, I took many pictures00:01:37.142
- 00:01:37.142
- of non-stop bars and studied them.00:01:39.697
- 00:01:39.697
- I also shot some videos.00:01:42.702
- 00:01:42.702
- I spent a lot of time thinking before I carried out the project.00:01:46.207
- 00:01:46.207
- It may seem simple and easy, but there's an inner meaning00:01:49.583
- 00:01:49.583
- that I don't want to verbalize explicitly,00:01:54.247
- 00:01:54.247
- for I prefer to leave it to the audience.00:01:57.232
- 00:01:57.232
- Since it's not a clearly defined sentence00:02:01.795
- 00:02:01.795
- expressing an outright opinion,00:02:06.480
- 00:02:06.480
- only three words mixed together,00:02:08.532
- 00:02:08.532
- and it can have a different impact on each individual.00:02:11.043
- 00:02:11.043
- This reminded me of a schizophrenic way of thinking --00:02:13.921
- 00:02:13.921
- people can think the message is intended only for them.00:02:19.282
- 00:02:19.282
- When a schizophrenic sees a billboard on the street,00:02:24.829
- 00:02:24.829
- they may think it's there just because of them -00:02:27.392
- 00:02:27.392
- the thought that it has just been built especially for them.00:02:30.564
- 00:02:30.564
- This was my goal -- to draw people's attention00:02:34.308
- 00:02:34.308
- in a very strange way, and00:02:38.927
- 00:02:38.927
- my work tries to talk to people's subconscious.00:02:41.590
- 00:02:41.590
- I've been fascinated by this gallery for a long time.00:02:46.064
- 00:02:46.064
- It's great for exhibitions.00:02:48.727
- 00:02:48.727
- The gallery has a shop window00:02:54.342
- 00:02:54.342
- so people can walk around and see everything.00:02:57.225
- 00:02:57.225
- Everyone is concerned.00:02:59.702
- 00:02:59.702
- They don't have to go inside the gallery by00:03:01.335
- 00:03:01.335
- having to cross a border.00:03:03.152
- 00:03:03.152
- They can see it from the street without ever coming inside,00:03:05.511
- 00:03:05.511
- and this is why I like this place.00:03:07.356
- 00:03:07.356
- This installation was specifically tailored for it,00:03:09.954
- 00:03:09.954
- and that's why it refers to non-stop bars,00:03:12.931
- 00:03:12.931
- peep-shows and all kinds of weird bars.00:03:15.438
- 00:03:15.438
- The neon lights were preceded by a drawing00:03:18.616
- 00:03:18.616
- I did some two years ago00:03:22.062
- 00:03:22.062
- that expressed an opinion.00:03:24.339
- 00:03:24.339
- I often draw words whose mutual position00:03:26.429
- 00:03:26.429
- expresses an idea.00:03:29.418
- 00:03:29.418
- So first there was a drawing,00:03:32.064
- 00:03:32.064
- but when I found out about the possibility of using this place,00:03:35.106
- 00:03:35.106
- I started to think of an installation.00:03:38.034
- 00:03:38.034
- So the installation itself is based on this place.00:03:40.028
- 00:03:40.028
- It wouldn't make sense if I put it in another gallery00:03:42.767
- 00:03:42.767
- because this is the ideal spot for this work.00:03:50.836
- 00:03:50.836
- The room is all wrapped up and very narrow.00:03:56.744
- 00:03:56.744
- The ceiling has been lowered because of the plastic.00:03:59.634
- 00:03:59.634
- I wrapped it up to create an impression of a confined space,00:04:02.600
- 00:04:02.600
- and it is more confined than the gallery acually is.00:04:06.861
- 00:04:06.861
- - Camera and editing -00:04:08.362
- 00:04:08.362
- - Camera and editing - The plastic makes it very small,00:04:09.363
- 00:04:09.363
- as if you turned the space inside out.00:04:11.159
- 00:04:11.159
- Now all you need to add are some dancing whores.00:04:14.646
Mě by zajímalo jaké pocitové sdělení tyto tři slova sdělují? Já si spíše “racionálně” vytvářím mezi nimi jasné souvislosti..už proto, že to jsou slova. A celková koncepce výstavy nám mnoho prostoru pro fantaziii nenechává… Jak to tedy je?
(Existencionální tíseň zažívají nevěstince v pohraničí.)
asi chápu o jakej poci nebo náladu šlo.myslim ,že se velice povedlo zkloubit neon černej igelit a v podstatě výlohu. Klidně bych si to slpletl s barem..
baví mě myšlenka i provedení.
První pocity, které to ve mně vyvolalo, byly obava (z manipulace, ze ztráty svobody?) a vzdor. Po určité chvíli trochu i touha po moci.
oběť objektu je člověk ..člověk je objektem oběti… oběť je objektem člověka… otec syn a kurva…