CENA OSKÁRA ČEPANA 2010

• OSKÁR ČEPAN AWARD 201000:00:00.416
• 00:00:00.416
• Who do you think will be the winner?00:00:04.055
• 00:00:04.055
• Štefan Papčo.00:00:06.972
• 00:00:06.972
• I don't know, but I want Štefan Papčo to win.00:00:09.326
• 00:00:09.326
• I want Tomáš Džadoň to win.00:00:16.768
• 00:00:16.768
• I was surprised by the selection00:00:19.504
• 00:00:19.504
• but if I had to, I'd choose Štefan Papčo.00:00:22.652
• 00:00:22.652
• The installation entitled "Existential Minimum"00:00:29.296
• 00:00:29.296
• is a reflection00:00:34.589
• 00:00:34.589
• on the relation between real, physical life00:00:38.629
• 00:00:38.629
• and virtual life,00:00:42.490
• 00:00:42.490
• connected with the surroundings.00:00:44.889
• 00:00:44.889
• I created this object00:00:47.811
• 00:00:47.811
• representing a basic element, a rock,00:00:51.669
• 00:00:51.669
• in my perception.00:00:54.669
• 00:00:54.669
• Its structure and appearance00:00:57.788
• 00:00:57.788
• contain two basic aspects00:01:00.745
• 00:01:00.745
• defined not only by the 3D visual style00:01:04.290
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• of computer games or cyberspace,00:01:09.036
• 00:01:09.036
• but also by real rocks, real surroundings.00:01:12.335
• 00:01:12.335
• This is how I'm trying to find the relation,00:01:17.155
• 00:01:17.155
• the possibility of using the real world00:01:21.827
• 00:01:21.827
• and the synthetic space together.00:01:25.537
• 00:01:25.537
• The object is made of an old climbing wall00:01:28.786
• 00:01:28.786
• that was used for 10 years.00:01:34.211
• 00:01:34.211
• I really like the works of Pavla Sceránková,00:01:36.987
• 00:01:36.987
• I like her sense for playing with objects.00:01:40.488
• 00:01:40.488
• She knows how to work00:01:44.689
• 00:01:44.689
• with the spirit of things and understand it.00:01:47.113
• 00:01:47.113
• The general theme?00:01:51.711
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• I'm interested in perception00:01:55.024
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• in relation to memories00:01:58.775
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• and the reconstruction of the image00:02:02.083
• 00:02:02.083
• caught in the memory.00:02:05.607
• 00:02:05.607
• The starting point is always general00:02:08.632
• 00:02:08.632
• but often leads to quite subjective results.00:02:11.467
• 00:02:11.467
• Which artist should win the award,00:02:14.941
• 00:02:14.941
• according to you?00:02:18.595
• 00:02:18.595
• Dušan Záhoranský.00:02:21.529
• 00:02:21.529
• I'd like to point out my latest work,00:02:26.339
• 00:02:26.339
• this sculpture entitled "King of Old Slovaks".00:02:34.241
• 00:02:34.241
• It is connected with a recent event00:02:41.374
• 00:02:41.374
• that took place in Bratislava,00:02:44.874
• 00:02:44.874
• the installation of the memorial00:02:47.874
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• of king Svätopluk.00:02:50.696
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• Most of my projects00:02:53.057
• 00:02:53.057
• reflect the theme of the city,00:02:55.772
• 00:02:55.772
• the life of the city and connected aspects00:02:58.827
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• like history, identity,00:03:02.489
• 00:03:02.489
• sociological landscape, loneliness...00:03:05.014
• 00:03:05.014
• My last project is entitled00:03:09.389
• 00:03:09.389
• "Shrinking City, Expanding Memory".00:03:12.216
• 00:03:12.216
• It reflects the phenomenon00:03:15.715
• 00:03:15.715
• of shrinking cities in Eastern Slovakia00:03:18.400
• 00:03:18.400
• through the story00:03:21.990
• 00:03:21.990
• of an abandoned school building.00:03:24.705
• 00:03:24.705
• Do you mean whether knowing a member00:03:27.565
• 00:03:27.565
• of the jury might influence the result?00:03:30.414
• 00:03:30.414
• Maybe. If the juror knows the artist,00:03:34.111
• 00:03:34.111
• it may be an advantage00:03:37.647
• 00:03:37.647
• because a simple review of a portfolio00:03:40.189
• 00:03:40.189
• might be too rough to know the whole work.00:03:43.510
• 00:03:43.510
• The juror who knows the artist00:03:46.967
• 00:03:46.967
• might point out his name to the jury.00:03:49.931
• 00:03:49.931
• But could this have an impact on the result?00:03:55.116
• 00:03:55.116
• I also know some of them,00:03:59.555
• 00:03:59.555
• maybe 3 out of 5 jurors,00:04:04.994
• 00:04:04.994
• but it had no influence on the result.00:04:07.800
• 00:04:07.800
• So knowing someone is not the main factor.00:04:11.397
• 00:04:11.397
• I try to post-produce my own works.00:04:14.910
• 00:04:14.910
• I reuse my old works00:04:18.775
• 00:04:18.775
• from which I already untied myself00:04:24.443
• 00:04:24.443
• so that I stopped hating them.00:04:27.659
• 00:04:27.659
• In this case, there is this video00:04:31.858
• 00:04:31.858
• based on time measuring.00:04:34.802
• 00:04:34.802
• It is 5 minutes long and it contains00:04:39.266
• 00:04:39.266
• one-second-long scenes00:04:42.544
• 00:04:42.544
• from all my video tapes I could find.00:04:45.007
• 00:04:45.007
• This is my way to handle relationships,00:04:48.732
• 00:04:48.732
• or non-relationships.00:04:51.918
• 00:04:51.918
• The title is "Me, without Relationship".00:04:54.795
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• It is about my relationship with the audience00:05:00.580
• 00:05:00.580
• in the given situation.00:05:04.369
• 00:05:04.369
• The competition has a big media coverage00:05:06.864
• 00:05:06.864
• and we as artists are confronted00:05:10.628
• 00:05:10.628
• with a non-informed public.00:05:13.763
• 00:05:13.763
• So it's also about the responsibility00:05:18.637
• 00:05:18.637
• towards the public, or the lack of it,00:05:21.758
• 00:05:21.758
• because I have zero patience for this.00:05:25.174
• 00:05:25.174
• I find very interesting00:05:29.621
• 00:05:29.621
• the works of Cyril Blažo,00:05:33.941
• 00:05:33.941
• XYZ, Boris Ondrejička, Denisa Lehocká.00:05:37.249
• 00:05:37.249
• My tip for the winner was Jaroslav Varga.00:05:43.262
• 00:05:43.262
• I think all the finalists00:05:48.387
• 00:05:48.387
• and a good half of all the competitors00:05:51.335
• 00:05:51.335
• know one or more members of the jury.00:05:54.844
• 00:05:54.844
• To be honest, I think it's the same00:05:58.502
• 00:05:58.502
• with the finalists of Turner Prize.00:06:02.148
• 00:06:02.148
• They also know the jurors in person.00:06:05.184
• 00:06:05.184
• It's not caused by our small scene.00:06:08.340
• 00:06:08.340
• The art scene is always a limited space00:06:12.069
• 00:06:12.069
• and the people certainly know each other.00:06:15.350

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