ČERVENÁ

• Vernon Gallery > Jiří Petrbok "Red"00:00:16.622
• 00:00:16.622
• The word "red" is connected with his solo exhibition00:00:21.851
• 00:00:21.851
• called "The Diary of the Patient P."00:00:26.640
• 00:00:26.640
• that took place in Kuřim in Ad Astra Gallery00:00:29.440
• 00:00:29.440
• and a little with his retrospective00:00:32.012
• 00:00:32.012
• in the Municipal Library of Prague.00:00:35.904
• 00:00:35.904
• Jiří Petrbok's recent strategy00:00:39.921
• 00:00:39.921
• has been to set rational goals in painting00:00:45.058
• 00:00:45.058
• and to fight with himself through objects and figures.00:00:53.083
• 00:00:53.083
• This means that the exhibition "Red"00:01:00.344
• 00:01:00.344
• represents a formal choice of red color,00:01:04.617
• 00:01:04.617
• the most emphasized but also the most depreciated color00:01:09.634
• 00:01:09.634
• in the history of painting.00:01:15.501
• 00:01:15.501
• It has special connotations.00:01:18.884
• 00:01:18.884
• At the same time it stands out among other colors.00:01:24.046
• 00:01:24.046
• Jiří Petrbok based his exhibition on this color.00:01:27.327
• 00:01:27.327
• It is comprised of a set of figurative paintings00:01:31.543
• 00:01:31.543
• where Jiří tries to move forward in his creative work00:01:39.234
• 00:01:39.234
• from his own point of view.00:01:50.005
• 00:01:50.005
• The works still reflect a reference to drawing,00:01:52.272
• 00:01:52.272
• where there is more emphasis00:01:56.716
• 00:01:56.716
• on the contrast between white and red.00:02:00.475
• 00:02:00.475
• In addition, the latest works are organized into subsets,00:02:04.532
• 00:02:04.532
• even within the exhibition.00:02:09.656
• 00:02:09.656
• There are diptychs and triptychs,00:02:11.606
• 00:02:11.606
• which is an allusion to historical paintings00:02:15.227
• 00:02:15.227
• that we can interpret in many different ways -00:02:19.309
• 00:02:19.309
• it can be an expression of distance and mockery,00:02:22.158
• 00:02:22.158
• but also a personal regression00:02:28.669
• 00:02:28.669
• to something existing before us.00:02:35.368
• 00:02:35.368
• Indeed, Jiří Petrbok has openly admitted that among his ideals00:02:37.162
• 00:02:37.162
• are Renaissance and mannerist drawings.00:02:43.434
• 00:02:43.434
• For me, the paintings seem contemporary00:02:45.939
• 00:02:45.939
• because they embody not only the historical form,00:02:48.577
• 00:02:48.577
• but also the attributes of the present,00:02:53.462
• 00:02:53.462
• like inscriptions and messages for contemporary viewers.00:02:56.088
• 00:02:56.088
• So I think the exhibition can be transparent00:03:01.257
• 00:03:01.257
• even for those who are not familiar with contemporary art.00:03:07.552
• 00:03:07.552
• At the same time, the author doesn't lose his integrity.00:03:11.752
• 00:03:11.752
• It is known that in the Middle Ages00:03:20.189
• 00:03:20.189
• or later in the eras of Renaissance and mannerism00:03:23.173
• 00:03:23.173
• the base paintings were done in red color.00:03:25.314
• 00:03:25.314
• Therefore, as I have said, this can be00:03:30.465
• 00:03:30.465
• a mocking reaction to history, to layers hidden in paintings,00:03:37.476
• 00:03:37.476
• a hidden meaning of a painting.00:03:44.283
• 00:03:44.283
• This can be seen as the message of Petrbok's latest works.00:03:46.658
• 00:03:46.658
• Camera and editing00:03:53.417

3x okomentováno “ČERVENÁ”

1. angel napsal04. pro. 2008:
   

   Kdo to je ten Vanous? Proc tam neni jeho oblicej? Jak vypada Petrbok?

2. MayorGalvan napsal05. pro. 2008:
   

   Express Yourself LIVE

3. anonym napsal14. pro. 2008:
   

   je to o necem jinym nez o hovne? asi mi neco uslo…

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