VELKÉ G / MISCELLANEA
Profesor Miloš Šejn působí na poli vizuálního umění, prezentace a studia vizuálního vnímání, často prostřednictvím tematických workshopů, především ve spolupráci se sdružením Bohemiae Rosa. Jeho umělecký koncept se formoval v mládí, v období, kdy absolvoval řadu minimálních i rozsáhlejších cest. Práce Miloše Šejna jsou výsledkem vnitřní potřeby být blíže tajemství přírody a využívají řeči obrazu, kresby, autorské knihy, fotografie či videa.
- The last thing that might survive from art00:00:01.860
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- are the relationships we have00:00:06.791
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- with natural materials,00:00:09.038
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- elements and landscape as such00:00:11.084
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- and I think that is enough00:00:14.228
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- and I consider the exhibition to be open.00:00:16.332
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- It is safe to say that00:00:25.794
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- this collection is, of course,00:00:27.541
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- a selection from a wider whole,00:00:30.778
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- and these works are linked00:00:33.996
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- strictly to the landscape of Český ráj.00:00:37.425
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- Český ráj is typical00:00:40.777
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- for its sandstone rocks, passes,00:00:44.767
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- deep gorges and very interesting springs,00:00:47.844
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- and more than half of the works00:00:53.934
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- we can see here00:00:57.913
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- are actually linked to springs as well,00:00:59.536
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- so it is a peculiar connection,00:01:04.246
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- rocks and water,00:01:06.423
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- and then something a little bit different00:01:08.114
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- is the coming of a man into the landscape,00:01:10.167
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- and that is the black, the fire.00:01:15.783
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- It is actually safe to say00:01:18.343
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- that the eventual footprint00:01:20.042
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- of the touch of a man00:01:22.411
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- is the black colour, which is strange,00:01:24.204
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- I had never thought about that before.00:01:26.655
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- Because as I said a moment ago,00:01:28.757
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- the most lively is the yellow colour,00:01:31.093
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- which is a preserved, intact material00:01:34.520
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- of a certain kind of lichen that lives on rock,00:01:40.988
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- and if it got back into its natural habitat,00:01:44.767
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- the lichen can live for thousands of years,00:01:50.273
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- the spores can incase themselves00:01:52.391
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- and it is, it is not a timed bomb00:01:55.913
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- as Cílek kind of suggested,00:01:59.378
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- but it is actually a way of00:02:02.842
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- carrying a message to the future.00:02:04.764
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- This is typical for my work00:02:06.871
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- in the middle of the eighties.00:02:13.573
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- It is the result of what I was doing00:02:16.697
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- since the end of the seventies,00:02:20.359
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- For many years I used classic oil colours,00:02:22.429
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- those were what I called gorge series00:02:31.255
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- because I would go to00:02:35.044
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- certain spots of mine into the rocks00:02:36.685
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- and over the course of time,00:02:40.049
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- because I really would come back00:02:44.185
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- to the exact same spots,00:02:46.912
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- then I realized I wasn't really00:02:49.857
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- looking at the rocks,00:02:56.228
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- I was just experiencing the feeling of the place,00:02:58.611
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- and then I realized that the colors,00:03:04.916
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- I really mastered them00:03:07.605
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- and then I simply got bored of it,00:03:12.838
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- so I reached out for the intact colours00:03:17.780
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- that were all around me,00:03:21.553
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- and that is how it all started.00:03:23.577
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