Showrooms

• The exhibition "Showrooms"00:00:16.810
• 00:00:16.810
• is held at the Enter Gallery,00:00:20.310
• 00:00:20.310
• an interesting space looking like an old flat.00:00:23.856
• 00:00:23.856
• The exhibition is divided into three parts.00:00:29.063
• 00:00:29.063
• The largest part is about my mother and her death.00:00:33.098
• 00:00:33.098
• The second part is about myself00:00:38.756
• 00:00:38.756
• and my everyday life.00:00:42.648
• 00:00:42.648
• The last part consisting of one work00:00:45.857
• 00:00:45.857
• is about me as seen by another person.00:00:49.912
• 00:00:49.912
• The work "Hug" is a 3-channel video installation00:00:56.356
• 00:00:56.356
• showing a performance I did with my mother00:01:01.856
• 00:01:01.856
• when she was still alive.00:01:05.963
• 00:01:05.963
• This material became very important to me00:01:09.643
• 00:01:09.643
• after my mother died.00:01:13.797
• 00:01:13.797
• The video installation is complemented by chimes00:01:16.959
• 00:01:16.959
• that serve as background audio.00:01:21.690
• 00:01:21.690
• The chimes are made of my mother's things.00:01:25.364
• 00:01:25.364
• There is also a 2-channel video00:01:34.810
• 00:01:34.810
• projected in the attic.00:01:38.206
• 00:01:38.206
• It shows my mother a few days before she died,00:01:41.474
• 00:01:41.474
• and the final scene00:01:45.874
• 00:01:45.874
• from Breaking the Waves by Lars von Trier.00:01:48.874
• 00:01:48.874
• This scene complements the shot of my mother.00:01:52.861
• 00:01:52.861
• The next exhibit is an object called "Legacy".00:01:57.522
• 00:01:57.522
• It's a table with my mum's personal things00:02:02.566
• 00:02:02.566
• I took after she died.00:02:07.744
• 00:02:07.744
• All the things are wrapped in plastic.00:02:10.861
• 00:02:10.861
• The plastic suggests something00:02:15.067
• 00:02:15.067
• that should be hidden but is still visible,00:02:18.567
• 00:02:18.567
• and it is also an allusion00:02:24.223
• 00:02:24.223
• to my mother's deep religious faith00:02:27.723
• 00:02:27.723
• in which I was brought up.00:02:31.223
• 00:02:31.223
• That's not important, anyway.00:02:34.223
• 00:02:34.223
• The next exhibit is made of three videos00:02:38.399
• 00:02:38.399
• called "Sightseeing".00:02:41.899
• 00:02:41.899
• The videos were shot during my travels abroad.00:02:45.252
• 00:02:45.252
• In the cities I visited I made videos00:02:49.780
• 00:02:49.780
• showing myself at the most famous monuments.00:02:53.280
• 00:02:53.280
• By this work I tried to express the idea00:02:57.400
• 00:02:57.400
• that holiday is always less fun00:03:02.001
• 00:03:02.001
• when you spend it alone.00:03:05.501
• 00:03:05.501
• That's why the videos are a little boring.00:03:09.130
• 00:03:09.130
• The last room contains collages00:03:16.235
• 00:03:16.235
• created by Dušan Veselovský.00:03:20.344
• 00:03:20.344
• They offer a view of myself from the outside.00:03:25.160
• 00:03:25.160
• This work is accompanied by a soundtrack00:03:29.914
• 00:03:29.914
• with Dušan's explanations.00:03:33.414
• 00:03:33.414
• This work was planned to be exhibited00:03:36.349
• 00:03:36.349
• during the queer culture festival Mezipatra00:03:41.771
• 00:03:41.771
• in Prague but the curator rejected it00:03:46.342
• 00:03:46.342
• for poor technical quality.00:03:50.528
• 00:03:50.528
• But this was exactly the goal,00:03:55.565
• 00:03:55.565
• it should look like a work00:03:59.065
• 00:03:59.065
• of an amateur photographer.00:04:01.945
• 00:04:01.945
• Unfortunately, the exact same thing00:04:06.403
• 00:04:06.403
• happened at this exhibition in Bratislava.00:04:09.903
• 00:04:09.903
• The Evangelical Church that own the gallery00:04:14.075
• 00:04:14.075
• banned this work so I had to remove it00:04:18.490
• 00:04:18.490
• after 3 days of display.00:04:22.984

Zde se můžete vyjádřit. (*nutné)