3 plus 3
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- Branka presents leaned glass screwed on stone.00:00:18.508
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- The leaning should elicit a kind of tension whether the glass resists00:00:27.198
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- and works in this space. I guess it works well.00:00:35.047
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- It's blue, so the intensity of colouring00:00:41.852
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- escalates up to three times by looking through.00:00:47.994
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- I present two of my works here, or lets say one.00:00:56.252
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- The first one is a model documentation on slides.00:01:04.808
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- It is eighty snaps and variations.00:01:12.804
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- Each chapter consists of one possible model and its variations,00:01:19.499
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- then it goes on to another model and its variations.00:01:28.648
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- My work is limited both technologically00:01:34.733
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- and by the size of pipes so I try out variability.00:01:39.148
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- You walk upstairs and see the reality.00:01:46.755
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- It's an imaginary architecture put together from fragile glass00:01:52.369
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- creating separate square areas that could be filled up00:02:00.290
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- but we rather fill them up in our imagination.00:02:08.177
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- The only surface there is the water one.00:02:14.558
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- Michal Orság brought a log house from00:02:18.658
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- a forest in Slovakia, I'm not exactly sure where from.00:02:22.882
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- He propped it up by upturned Slovakian crosses.00:02:28.455
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- Reason for the installation was his concern for00:02:32.590
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- the Slovak National Uprising00:02:36.757
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- and the stories of partisans he would often meet and interview.00:02:39.292
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- This log house is a historic monument,00:02:51.810
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- one of the partisans might have lived there.00:02:59.435
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- In reaction to this space I brought00:03:06.298
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- just a part of my diploma work.00:03:10.010
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- I was interested by a huge window which had fallen out.00:03:17.166
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- I couldn't resist using it.00:03:21.396
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- So I work with the fallen out window,00:03:23.852
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- the look outside and I made a wooden construction,00:03:26.278
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- a tube directed at a video which is00:03:30.009
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- an important part of my diploma work.00:03:34.555
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- I briefly compare our and animal sexuality.00:03:40.132
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- Master's degree study of Lucie Kotvanová consists00:03:50.960
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- in a cooperation with Lucie Kordačová.00:03:56.716
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- One of their work was they tied to each other by a chain00:04:07.416
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- and stayed together incessantly for two weeks.00:04:12.176
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- This situation brought about their cooperation.00:04:16.907
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- She creates a fictive past and future from00:04:23.908
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- their family pictures changing into00:04:33.238
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- set pieces and a fictive future.00:04:36.269