Alotrium (Expanded Performance)
- The exhibition called Mischief00:00:05.887
- 00:00:05.887
- comes out from a long-term project.00:00:07.484
- 00:00:07.484
- We called the project Expanded Performance,00:00:10.162
- 00:00:10.162
- I set it up together with the visual artist00:00:13.419
- 00:00:13.419
- and performer Tomáš Hodboď in 2012.00:00:16.738
- 00:00:16.738
- The aim of Expanded Performance is to00:00:20.576
- 00:00:20.576
- deal with performance art in the context of further issues,00:00:24.264
- 00:00:24.264
- such as authenticity, theatricality but also00:00:30.251
- 00:00:30.251
- contemporary art performativity in general.00:00:34.703
- 00:00:34.703
- The exhibition Mischief is the third00:00:40.595
- 00:00:40.595
- exhibition event of Expanded Performance.00:00:43.749
- 00:00:43.749
- We managed to present about twenty one authors00:00:47.045
- 00:00:47.045
- dealing with performance art00:00:52.289
- 00:00:52.289
- or working in a noticeably processual way.00:00:58.349
- 00:00:58.349
- Our principal intention was00:01:03.269
- 00:01:03.269
- not to make an exhibition of performers00:01:05.350
- 00:01:05.350
- but rather about performance art.00:01:08.124
- 00:01:08.124
- Most of it was made during the exhibition preparation00:01:13.803
- 00:01:13.803
- which is generally typical of performance.00:01:19.496
- 00:01:19.496
- Until the last moment we didn't know how it'd come out.00:01:23.724
- 00:01:23.724
- So the exhibition preparation was processual from start to finish.00:01:28.270
- 00:01:28.270
- I'd like to mention three main principles00:01:34.005
- 00:01:34.005
- appearing at the exhibition.00:01:38.194
- 00:01:38.194
- They deal with a relation of performance art00:01:40.924
- 00:01:40.924
- to the installation or the issue of performances and instructions.00:01:43.882
- 00:01:43.882
- The author Karíma Al-Mukhtar works00:01:50.100
- 00:01:50.100
- with the theme of installation and performance.00:01:52.932
- 00:01:52.932
- She made another part of her series Cooking Art.00:01:57.171
- 00:01:57.171
- She was inspired by the popular serial MythBusters00:02:03.248
- 00:02:03.248
- dealing with an event that may have happened,00:02:06.947
- 00:02:06.947
- happened or is perhaps just a rumour.00:02:10.791
- 00:02:10.791
- For this exhibition she picked a myth00:02:15.689
- 00:02:15.689
- about breaking glass with a voice.00:02:18.342
- 00:02:18.342
- The myth comes out from a legend00:02:21.665
- 00:02:21.665
- about a jazz singer who managed to00:02:23.338
- 00:02:23.338
- do so during her performance.00:02:25.342
- 00:02:25.342
- The installation at the exhibition consists00:02:27.647
- 00:02:27.647
- of a combo and two glasses00:02:30.416
- 00:02:30.416
- and it reckons on the viewers' interaction.00:02:32.742
- 00:02:32.742
- Anyone can try following the author's instructions00:02:36.269
- 00:02:36.269
- to tune up the right frequency and break the glass.00:02:39.743
- 00:02:39.743
- In connection with the performance history,00:02:45.187
- 00:02:45.187
- the relation of an event which may have or00:02:48.543
- 00:02:48.543
- have not happened is very interesting.00:02:51.417
- 00:02:51.417
- It works similarly to a performative history00:02:55.369
- 00:02:55.369
- when events that took place but00:02:58.604
- 00:02:58.604
- weren't documented could have been later mythicised00:03:01.971
- 00:03:01.971
- and therefore became a mere myth.00:03:06.373
- 00:03:06.373
- Likewise all the stories about00:03:09.504
- 00:03:09.504
- someone breaking a glass with his voice.00:03:11.469
- 00:03:11.469
- We found important to offer00:03:14.042
- 00:03:14.042
- an unconventional theoretic context,00:03:15.565
- 00:03:15.565
- which is made here available by legends,00:03:18.163
- 00:03:18.163
- each work has a rather wordy legend00:03:20.516
- 00:03:20.516
- and I guess it's quite important00:03:24.087
- 00:03:24.087
- to provide the performance00:03:26.519
- 00:03:26.519
- which is very topical with a special theoretic context00:03:29.440
- 00:03:29.440
- which is missing at the Czech performance art scene00:03:34.244
- 00:03:34.244
- at the moment in my opinion.00:03:37.043