test pattern [n°7]
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- It was interesting to watch how Ryoji Ikeda got gradually into galleries.00:00:03.575
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- At first he was familiar only to people concerned00:00:13.571
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- with experimental and electronic music.00:00:15.875
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- At the end of 1990s he met Carsten Nikolai00:00:18.625
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- known as Alva Noto in Holland.00:00:23.920
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- They both work their own way with a clear sound wave and00:00:28.241
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- data nature of contemporary sound, texts and pictures.00:00:34.765
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- It seems Ryoji Ikeda worked with it more universally.00:00:43.965
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- When Ryoji Ikeda was making mainly live performances00:01:02.735
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- during which he controlled his music and projected pictures,00:01:08.635
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- it wasn't just me who felt like jumping right into the projecting screen.00:01:13.885
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- As the projections are huge and monumental,00:01:20.975
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- there is kind of a sensual delight.00:01:24.606
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- When he started to make installations which00:01:27.116
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- are available for many weeks all day long,00:01:32.464
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- he enabled us to dive into the Matrix00:01:37.293
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- and to try out at least partly this physical communion with the space.00:01:41.061
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- When you multiply the complementary nature00:02:14.045
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- of what can be heard by what can be seen,00:02:17.973
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- the big issue he deals with shows up.00:02:21.965
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- Data flowing through today's world,00:02:28.686
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- everything is transferable into the data and there is00:02:32.382
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- a paradox which can be described this way:00:02:38.731
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- we have never known as much as today,00:02:42.256
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- we have never accumulated as much information as today but00:02:46.612
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- at the same time we are standing in front of the mass or the mountain,00:02:50.901
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- we can see the quick-fire movement00:02:56.243
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- but we are non the wiser now.00:02:59.063
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- We still don't know the ropes and in more compromise terms:00:03:02.817
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- we will never really get to know the data.00:03:07.250