This exhibition of the Young Artists’ Studio Association tries to establish what relevance the youngest generations of Hungarian artists attribute to a painting and a format of the easel painting. Having survived the past few decades, the latter seems indestructible, and it is worth examining what challenges the questions and formal problems generated by alternative support surfaces present to thinking about painting. Can the problems of painting be treated independently of the technique of oil on canvas? Can the same problems, independent of any media, be considered painting?

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