THERE IS LOT OF POSSIBILITIES, FEW REASONS
– Is it possible to explain how I think?
– How to work with space, which is dominant?
– To work with it, or to be conformed?
- THERE ARE MANY POSSIBILITIES BUT FEW REASONS00:00:05.396
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- I took the name for the exhibition00:00:08.566
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- from a radio interview with Václav Bělohradský.00:00:11.746
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- At the time we were trying00:00:16.497
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- to come up with a name for the exhibition.00:00:18.601
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- When I heard this, I called Jirka.00:00:20.957
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- It seemed full of potential to me in many different ways.00:00:23.135
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- One can have many ideas and plans,00:00:26.146
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- but the only essential thing are the reasons for your actions.00:00:31.230
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- This is why we used this sentence as a name.00:00:35.413
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- Later we also found other meanings.00:00:40.974
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- For instance, there are two similar paintings.00:00:47.204
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- Or some of my paintings have been redrawn by Jirka.00:00:49.678
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- Of course, it's not very evident,00:00:53.388
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- but if you pay closer attention00:00:55.969
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- you'll find that there are many duplicate works,00:00:57.854
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- and so on.00:01:01.323
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- Also the name of the exhibition is reused a few times.00:01:02.853
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- I think that most people won't notice00:01:06.949
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- all of the inscriptions at first,00:01:09.700
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- but when they do00:01:12.153
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- it will amuse them that much more.00:01:13.980
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- Attics are very specific spaces,00:01:16.378
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- and quite difficult to deal with.00:01:19.299
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- This is not a typical gallery.00:01:21.632
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- We had prepared some works in advance,00:01:24.029
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- but we had to adjust them - it's better to work on the spot.00:01:27.126
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- Sometimes we change many things to adapt to the space.00:01:31.165
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- This is what happened here.00:01:34.693
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- Maybe it's better than having everything ready.00:01:36.952
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- We like the process of change.00:01:39.952
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- At first I planned00:01:41.724
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- to put some ordered rows of pictures on this wall.00:01:43.759
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- It didn't work since the wall isn't even.00:01:46.307
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- And it turned out to be good.00:01:50.304
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- The process is always surprising.00:01:54.100
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- And why the connecting line?00:01:57.381
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- We had already tried this once:00:01:59.846
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- We tried to transfer a drawing into a 3D installation.00:02:02.579
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- This is similar.00:02:06.934
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- We turned one moment from the drawing00:02:09.417
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- into an installation providing support to the drawing.00:02:15.648
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- It's rather a mutual support.00:02:20.555
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- The installation and the drawing work together,00:02:23.320
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- or at least that's what we tried to do.00:02:27.855
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- Camera and editing00:02:31.846