REVISION

• The exhibition is based on some drawings00:00:28.240
• 00:00:28.240
• with the theme of perfection I did earlier.00:00:32.005
• 00:00:32.005
• When working on this theme,00:00:36.309
• 00:00:36.309
• I created a few "waste" drawings00:00:39.575
• 00:00:39.575
• that were all imperfect in a way.00:00:42.341
• 00:00:42.341
• I was trying to make perfect drawings,00:00:45.125
• 00:00:45.125
• revised versions of my older works,00:00:48.504
• 00:00:48.504
• but not all of them came out perfect.00:00:51.429
• 00:00:51.429
• The exhibition is anchored in this space00:00:54.578
• 00:00:54.578
• that is also imperfect.00:00:58.078
• 00:00:58.078
• I wanted to represent revisions00:01:00.670
• 00:01:00.670
• happening over and over again,00:01:03.654
• 00:01:03.654
• with the purpose of finding perfection.00:01:06.302
• 00:01:06.302
• This is why I installed00:01:09.724
• 00:01:09.724
• the imperfect drawings in an imperfect space,00:01:14.589
• 00:01:14.589
• as if they could merge into something perfect.00:01:18.470
• 00:01:18.470
• So that's the origin of this installation00:01:22.520
• 00:01:22.520
• combining the imperfect drawings00:01:26.096
• 00:01:26.096
• with rolls of tracing paper00:01:29.427
• 00:01:29.427
• referring to the cleanest drawings.00:01:32.204
• 00:01:32.204
• On my way to perfection,00:01:35.469
• 00:01:35.469
• I came to exhibiting untouched rolls00:01:38.393
• 00:01:38.393
• of transparent paper.00:01:41.951
• 00:01:41.951
• When the visitors enter,00:01:45.361
• 00:01:45.361
• all they can see is a pure, clean space00:01:48.351
• 00:01:48.351
• where they need to look for the drawings.00:01:51.738
• 00:01:51.738
• So there are these endless paper rolls,00:01:55.693
• 00:01:55.693
• and the imperfect drawings00:02:00.651
• 00:02:00.651
• are hidden among them.00:02:03.946

one comment for “REVISION”

1. karci says on03. Feb. 2013:
   

   otravnejsiu intonaciu ako ty ma uz len vlado vostinar. ale tak isla by si dola

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