The drawings of Mária Čorejová can in a certain sense be characterized as intimate. They testify about something we do not know exactly, what we do not understand but what refers to the personal world of Mária Čorejová. The titles suggest their meanings but do not direct us. The clue to read the motifs from sport, aviation, architecture, religion is here but it is only the author who has the only correct one.
Perhaps it is the intention to state for the viewer the question whether the author himself is able to interpret all the meanings used in his/her work. Is a massive tube eating the cathedral or the Church? Or is the cathedral created by a tube? Is everywhere present liquid blood or a symbol of pain or is it a life-giving liquid? Do sportsmen represent a systematic self-destructive agonizing activity or are they good guardian angels? Do amputated armchairs, beds, pillows, books stand for a pain in relationships, human estrangement and long-term misunderstanding or is it something completely else? It is possible to analyse, interpret, search for, wander through the drawings of Mária Čorejová, but never to understand them fully. You have to communicate with the drawings of Mária Čorejová  – personally and intimately – thus dynamising and shaping their own, still developing story.

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