The point of departure for the exhibition of Rumanian artist Ciprian Muresan and Czech post-structuralist author Tomáš Svoboda becomes the subject of appropriation, the gradual change of a work through time, and most importantly the many conceptual shifts that lead to the construction of a new work. The essence of the exhibition is not present in the works themselves, but most importantly on the seemingly invisible grounds, whose space is defined by the process that lead to the selection and re-articulation of introduced works.


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