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Ivan Jirous

In their openness – in terms of both authorship and chronological delimitation – they are happenings in the purest sense of the word, although this term is rarely applied to the Crusaders’ activities.
If we ignore the footage of Vladimír Boudník in Jaromír Pergler’s 1956 film Action in the Streets of Prague, then the oldest known cinematic record of Czech performance art are Rudolf Němec’s films from the early 1970s.