Zuzana Rousová 113 results

Zuzana Rousová
Iveta Šalamounová
In her exhibition designs she lays emphasis on simplicity, moderation and compactness. They do not hesitate to include also striking or unsettling elements. However, according to them it is essential that the design of the exhibition does not overpower or overshadow the exhibits but it must become their partner. They also believe that the installation may contribute to the interpretation of the displayed art works. It is equally important for them that the exhibition design is created in a mutual dialogue between all the people involved.
Dominik Lang
Dominik Lang has been involved in exhibition design for a long time. However, unlike other artists, his approach differs in the degree to which he emphasizes the creative aspects of the profession. The result often oscillates between exhibition design and autonomous installation while he himself admits that he deliberately violates this boundary. For this reason, he prefers the term "author of the exhibition's artistic design" or "author of the spatial design".
Jindřiška Jabůrková
Artistic practice of Jindřiška Jabůrková is interdisciplinary, includes installation, creation of objects, sometimes photography and video or performance. Her fascination is with the processes of transformation of matter, whether of human or natural origin. She is interested in the relationship between the human subject and nature, the relationship of man to the material world, sometimes deepened by the spiritual thoughts.
Martin Netočný
The Heron is a film about the Stromovka park, however, it is perhaps more about us, people, and the different activities we may pursue in city parks. It shows inexplicitly to what extent people are influenced by parks and parks by people. What role do parks play in our contemporary society, in our everyday lives?
Petr Skala
His original creative processes applied to the then typical 16mm film (e.g. scratching, engraving, painting and application of chemical agents) were in fact close not only to foreign hand-made film but also to gestic painting and the material-orientated Art Informel.
Birch Cooper, MSHR, Brenna Murphy
The artistic team is meeting in the underground space to explore the psychoacoustic attributes of sound, and the physical limits and resonance properties of the human body; the use of music during rituals and religious ceremonies, and the possibility of connecting occultism, music, and sound as a means of communication, meditation and spiritual work.
Jiří Příhoda
"The installation of the exhibitions will be entrusted to the artists. I see it as a second choice besides the fact that artists teach. "
In the course of the 1990s Jiří Příhoda experimented with video-projections and became known as the first artist on the Czech art scene expressing himself through sculptural-architectural transformations of exhibition spaces.
Nikola Brabcová
Although Tomáš Knoflíček is an art historian specializing in Medieval art and teaches at the Faculty of Fine Arts at the University of Ostrava, he is also well-known for his versatile projects dealing with contemporary art and music. He is primarily concerned with the role of art in society, above all its communication potential in public space.
Ivana Králíková, Nao Matsunaga, Salvatore Arancio + 3 more
The exhibition is not only a departure from the established boundaries of the field, but also a demonstration of the possibilities that ceramics offer within contemporary art. The fact that it is ceramic clay, in various forms and shapes, that fills the gallery spaces is not a surprising result of a symposium focused on this material. However, ceramics is not the only means of expression that the exhibiting artists work with in their creations, which is also reflected in their latest works created during their four-week stay in Bechyně.
Jakub Adamec
Contemporary curating has undergone changes. From efforts to build distance and protect a balanced reflexive position it has shifted towards empathy, cooperation and attempts to dehierarchize. Naturally, this is not always the case, but Jakub Adamec is a good example of the fruit that this type of curatorial work may bear.
Martin Netočný
The image of pages in a textbook being turned by a machine and standardised scientific restoration processes may arouse concerns but simultaneously hope. The experience of Western modernity, whether optimistic or disastrous, is a significant heritage which we should take good care of. We already know only too well what crimes and violence modern western people were capable of committing or at least took part in. However, we should not forget that modern institutions, such as the state, schools, science or museums, have created the infrastructure for our better lives.
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