ANSWERED PRAYERS

The 2009 winner of the Oskár Čepan Award, András Csefalvay, presents a large scale video installation for his solo show at the Médium Gallery. He uses the medium of moving image to create monumental portraits of seven men and women. 

The Caravaggioesque films are fittingly projected onto large canvases with each gesture, closed eye, slight movement, or moment of stillness becoming a way into reading the work.

The qualities appreciated by the jury of the Oskár Čepan Award, including the daring and impassioned, yet well judged and balanced form of the young debutante’s work can still be seen here in his use of symbolism, spectacular presentation and clean camera work combined with the very human themes of love, politics, death and art running through the work.

artistsAndrás Cséfalvay
placeGaléria Médium
tags
castAndrás Csefálvay
cameraPeter Barényi
soundPeter Barényi
editingPeter Barényi
interviewPeter Barényi
translationZuzana Frantíková, Martin Rozbroj
published22. 9. 2010
languageČesky / English
embedlink icon
arrow down
related
ANSWERED PRAYERS
The collection of Alberto di Stefano and Eugenio Percossi has a representative character with view to the Czech art scene and it also includes a number of works by foreign artists, especially those who exhibited their work within the projects of the Centre for Contemporary Art. The collectors do not focus on any specific type of media, they select works primarily according to their taste not according to the market value. Their collection of art is housed in the reconstructed chateau in Třebešice together with a large number of art installations and site specific work.
Miroslav Barták(*1938) graduated from a naval academy and spent a large part of the sixties on business ships as an engineer. When he could draw in his spare time, he wasn’t so much interested in the motives of exotic lands or the peculiar physiognomy of their inhabitants. He didn’t aspire to prove his skills of capturing the outside world; he was rather interested in discovering what he could tell about it in the lines of his drawings. Quite soon he found the ideal actor for his meticulously directed scenes: a male figure, whose crucial feature was an absent mouth.