Reports

Doc. JUDr. ROBERT FICO, CSc.

In front of the ‘Dom Odborov’ Labour Union Building in Bratislava, on the former site of a bust of the Czech artist František Zupka (1871-1957), the ‘Verejný Podstavec’ Public Pedestal Association presents its first project entitled ‘Doc. JUDr. ROBERT FICO, CSc’. 

The Slovak sculptor Dalibor Bača has created a bust of Fico, former Prime Minister of Slovakia (2006-2010), who was known for erecting statues of statesmen made by artists wishing to promote communist ideology in Slovakia. Thus Fico’s statue was installed on the plinth made empty by the removal of a communist bust. Shortly after the installation on August 1 2010, the sculpture was removed by the owner of the pedestal, the Slovak Federation of Labour Unions, the JMF.

artistsDalibor Bača
placeBratislava
tags
castDalibor Bača
cameraMaja Štefančíková
soundMaja Štefančíková
editingJana Kapelová
interviewJana Kapelová, Maja Štefančíková
translationEva Maršíková
categoryReports
published21. 9. 2010
languageČesky / English
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Doc. JUDr. ROBERT FICO, CSc.
The traveling exhibition Rituals of Solitude, conceived during the global lockdown, explores the spread of fake news, the reversal of the traditional relationship between private and public space, the paradoxical rituals that populate homes, the ways in which visual technologies are domesticated into tools of self-presentation and connection, the accumulation, fetishization, and display of objects in home interiors; and, in addition, the states of loneliness that arise as a result of forced isolation.
As we find ourselves in times that have extensive socio-political implications, the exhibition thematizes the insecurity, the suspicion and post-factuality gradually digging into our lives more and more. The many ambivalent mechanisms trough which we cope with this uncertainty and multiplicity of artistic processes (either politically-critical, or completely non-factual and sensual, scientific or even speculative) of the abandonment of what is considered “real” or “rational” take their forms in the interconnected realms of the technological, the natural, the mystical, the symbolical.
Václav Magid is an artist, theoretician, curator and, last but not least, a bass player, whose activities often intertwine aspects from these close areas. As an artist on strong theoretical foundations, his curatorial projects are often conceived as an extensive artistic or theoretical project, and in his artistic work, visuality meets music.