Reports

GEEKS CAN DANCE

Farbrausch, Quite, Still + 3 more

The Demoscene can‘t be simply described as movies, videos or animations. These works are not data recorded on a medium but executable .exe files. This kind of creation spans across several fields, such as electronic music, design and programming.
The event entitled “Geeks Can Dance” took place at the famous c-base club in Berlin, which is now past its best times. 
Beside the PC Demoscene, there is also the so-called 8-bit Demoscene, a group of artists who use old computers from the 1980’s when creating their works. Having attended many shows, festivals and meetings, my personal opinion is that the 8-bit scene is more progressive.

It is widely known that the contemporary PC art is abstract and boring, although some critics might claim to have seen a few cool screensavers.
To support my proposition, I don’t need to refer to professional authors from different artistic fields – I will settle for the already-mentioned 8-bit scene that I find creative and full of ideas and stories, although it is still based on old machines with a limited number of colors, effects, sounds etc.
I highly recommend Russian groups, such as Skrju or CPU/Inward, to the whole PC world. The 8-bit section of the Swedish group Fairlight is equally interesting. You won’t find spectacular effects here, but the authors enrich the scenes by personal storylines, sensitivity and the reflection of social space.

artistsFarbrausch, Quite, Still, Haujobb, Fairlaight, HBC
curatorsThomas Mann
placec-base
tags
cameraFrantišek Zachoval
soundFrantišek Zachoval
editingFrantišek Zachoval
interviewFrantišek Zachoval
categoryReports
published9. 6. 2010
languageČesky / English
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GEEKS CAN DANCE
At a moment of digital ubiquity, it may be easier to treat the data from digital platforms as primary in contemporary innovation and to believe that, if coated with sensors in an internet of things, the stiff, dumb world will suddenly become responsive and “smart.” But the heavy lumpy components of space are themselves information systems that don’t really need digital devices to make them dance.
Burning hair might not be available on the scale of instant scents yet. They bring critical unease into the reading of Lenka’s and Tania’s environment. Just as the camera work in a strangely voyeuristic video in which the loudest emotion besides breaking into the private zone is hopelessness. The authors gave up direct control over the camera shots and gave it to a vacuum cleaner that moves through the space on its own and cleans up.