Rossella Biscotti’s artistic oeuvre encompasses photography and occasionally sculpture, although generally her preferred medium is video. Her works develop over a long period of time, often invoking histories and stories about people who were never in the public eye.
Their portrayal in Biscotti’s works leads them to become a source of reflection on individual or collective identity and memory, as her starting point is always a social or political event.
The subtle interplay between concealed or multiple identities, fiction and reality, and the overlapping layers of time constitutes the characteristic attraction of Biscotti’s videos and installations.
