RETURN TO THE BOTTOMLESS POOL OF MNÉMOSYNE

Anders Grønlien uses the method of painting, drawing, installation or a plain event to bring about a mystic pitch. Over the haze it is evident that he does it with a firm self-interest of a director who goes towards the success. Although he approaches these so called film techniques with the heart of a film-maker and soul of an artist, in our country he is established mainly as a veduta painter. Lets go to the Final Club where he presents his new cycle of graphics created in Paris and ascertain it is on the contrary.

umělciAnders Grönlien
kurátorLukáš Válka
místoFinal club
účinkujícíAnders Grönlien
kameraIvan Svoboda
zvukIvan Svoboda
střihIvan Svoboda
interviewIvan Svoboda
překladMarta Darom
publikováno17. 9. 2013
jazykČesky / English
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