RETURN TO THE BOTTOMLESS POOL OF MNÉMOSYNE

Anders Grønlien uses the method of painting, drawing, installation or a plain event to bring about a mystic pitch. Over the haze it is evident that he does it with a firm self-interest of a director who goes towards the success. Although he approaches these so called film techniques with the heart of a film-maker and soul of an artist, in our country he is established mainly as a veduta painter. Lets go to the Final Club where he presents his new cycle of graphics created in Paris and ascertain it is on the contrary.