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How and why the 4AM Forum for architecture and media was founded and how do its members see its management? How did their priorities change since the start, how can one finance organization, such as theirs and how do their plans and orientations evolve?
Jiří Novák, Jiří Borl, Jiří Sozanský
In July 1981, when Sozanský created his first work in Most, Jiří Putta came to take photographs at the place and the Film and TV School graduate Michal Baumbruck together with the cameraman František Brabec recorded on film there. The resulting film depicts not only the sculptures but also performances with actors which Sozanský staged for the film purposes. The film was called Evacuation and it was shown just few times during the 1980s at meetings of the artist's friends.
Barbora Ševčíková
Another part in NJME series focuses on question why some people found their own museums and how do they see their purpose. How does the future of a private museum look like and how does this museum differ from those financed by the state? How is this form of institution liberating and, on the other hand, what are its limits?
Vanalyne Green
Sex, Sickness and Videotape’ is a tribute to video as a medium which empowered women to make and break the rules of self-image, instead of reproducing the images that had been handed to them. Similar to Vanalyne Green’s engagement with video, the artists and writers who contributed to this project deconstruct and rebuild their practice in the response to challenges and possibilities of the current technologically mediated society.
‘Gentle Triggers’ is a presentation of work by London based artists Jala Wahid and Nicole Morris whose practices are positioned between sculpture and moving image.
‘Next Time, Baby I’ll be #Bulletproof’ is a collision of the live body and its technological mediations by Web 2.0 artist Jennifer Chan, accompanied by ‘Gyre’, a commissioned essay by London based art historian Cadence Kinsey.
Surrounding Fucker Sam and Sam83 Gallery there sprung up and operates a space for critical and free thinking covering a lot of activities. I follow the origins, meaning and the operation of the space in the first part of NJME.
Stanislav Diviš, Ilona Németh, Tomáš Ruller + 31 more
The Grey Brick 34/1993 exhibition, included works by 34 artists born between 1941 and 1964 chosen by the jury whose members were Jana Geržová, Mahulena Nešlehová and Petr Nedoma. This successful summer exhibition took place in the gallery U Bílého jednorožce (At the White Unicorn) in the square in Klatovy and also in the Chateau Klenová and its park.
Five Hungarian artists present their work in short profiles with stand-in seconding them in parallel videos. In separate portraits takes this stand-in charge of artworks explanation with a sovereignty of an author. He presents five various forms of his art production in various media or creative foci (painting, sculpture, photography, video, installation).
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