Artist Talk 12 results

Artist Talk
Cäcilia Brown
Cäcilia Brown's work explores the structures and hierarchies of public space in the medium of sculpture. Her methods include destructive acts such as burning or throwing something out of a window, as well as copying and archiving. Her works have a fleeting, ephemeral nature and very often contain found or collected elements.
Martin Zet
Artlist:Talk enriches the possibilities of this procedural documentation and offers artists a live presentation format. The aim of Artlist:Talk - like Artlist - is to provide the interested public with an understanding of contemporary artistic approaches and expression, which in this case is complemented by the unique perspective of the artists themselves.
Jasmina Metwaly
How do we speak the law? The enactment of the legal is a social construct brought about before the law and after its fictions. As socialised ghosts, our collective minds register each other’s codes, through methodical patterns of self-elevating humans.
Isabelle Cornaro
In her work, Cornaro uses found objects imbued with symbolic potential or emotional value, which she presents in different types of display and media to reveal the subtle shifts of meaning provoked by processes of reproduction and translation.
Borrowed from domestic, decorative or functional contexts, these artefacts are often linked to Western culture as a means of power, their combination and arrangement in the artist’s work invites spectators to question the relationships between systems of representation and our understanding of the world.
Paulina Ołowska
The outward appearance of Olowska’s female subjects is equally as important as the historical memories interwoven seamlessly throughout her collages and paintings. Olowska’s treatment of her subject’s materialization acts as a direct display of the spirit of the individual, which is likely to be contrasted against a uniformed surrounding reminiscent of life experienced behind the iron curtain.
Kader Attia
Kader Attia deals with colonial and post-colonial history and sensitively unfolds the complicated and “imbalanced” relationships between the Western and non-Western world and their mutual cultural, political, social, and technological exchange. One of his interests is architecture and the setting it creates with its spatial and political dimension. Using modern architecture as a critical example of an – often – malfunctioning living environment is an occurring subject of Attia’s work.
Jonas Staal
To grasp the rise of new forms of authoritarianism, propaganda studies are a crucial tool, but we also must look at the particular role of propaganda art. How has the imaginary of art, theater, film, design, architecture and even games, contributed to the authoritarian imagination? And can we imagine forms of popular and emancipatory propaganda art to defend another world view?
Antony Gormley
Antony Gormley’s passion is to ask whether a human form – as both a vessel for the body and a container for the mind – can be a contemporary subject for contemplation; questions that are essentially spiritual.