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Records
Keller Easterling
At a moment of digital ubiquity, it may be easier to treat the data from digital platforms as primary in contemporary innovation and to believe that, if coated with sensors in an internet of things, the stiff, dumb world will suddenly become responsive and “smart.” But the heavy lumpy components of space are themselves information systems that don’t really need digital devices to make them dance.
Boris Buden, Keti Chukhrov, Milena Bartlová + 2 more
Symposium wants to reflect the current cultural and political situation characterized by the rise of nationalistic politics, populism, Euro-scepticism and anti-immigration attitudes in Central Europe from the perspective of contemporary art and theory. This tendency can be observed not just locally but in the whole of Europe. We will foster an interdisciplinary exchange of ideas discussed in a group of art historians, sociologists, philosophers, and art theoreticians.
Jonas Staal
To grasp the rise of new forms of authoritarianism, propaganda studies are a crucial tool, but we also must look at the particular role of propaganda art. How has the imaginary of art, theater, film, design, architecture and even games, contributed to the authoritarian imagination? And can we imagine forms of popular and emancipatory propaganda art to defend another world view?
Matt Mullican
Matt Mullican’s performative lecture takes the form of a monologue that goes through various levels of consciousness and links subjective testimony with attempts to disturb systems of knowledge and create his own cosmology.
Joseph Giacona, Karim Samuels, Alexandra Mason + 1 more
In their own words, the text is, “the work of ANON. We are a collective of ‘Other.’ Some of us are sex workers, some immigrants, many of us queer. There are even a few privileged white cucks amongst us. Never the less, ANON is largely the work and brainchild of people of color (PoC). Our social disciplines are as varied as our identities: from journalists to dominatrixes. ANON are the intellectual cousins of #BlackLivesMatter divorced from liberalism.”
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