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By dissolving boundaries, cultural constructs, nationalities, taxonomies, and skin, we transform old paradigms of human/non-human, toxicity/purity, and living/dead into permanent cooperation with the foreign. After all, all boundaries are only transitional spaces where matter morphs and theorizes a new existence.
The international exhibition Beyond the Sound presents a contemporary approach to the specific and lively artistic field of sound art. Sound is presented not as an independent aesthetic form, but as a medium used to explore and reveal phenomena that are often unrecognisable to the eye.
Rather than an exhibition, it is an authorial environment – architecture within architecture. The vision for this solution is based on the motif of an island, a changing landscape, lithospheric plates, and the story of the mill complex itself. The basic conceptual framework creates space for collective and individual multi-genre artistic and curatorial work.
It is only through understanding and strengthening of our interconnections and relationships with our environment that we can bring about any societal change that will ultimately result in an improvement of the affective micro-politics. The personal is political.
In the broadest sense, Todosijević's exhibition and his lifelong artistic practice balance on the edge of the possibilities of interpreting various symbols originating from history, our present, or the art world itself. It represents walking a very fine line between moral and perverse interpretations of history or contemporary global events, which are not entirely distinguishable at first glance.
We hope that by combining a number of various artworks and projects, hints of possibility will begin to emerge, from which a way out of today’s situation, that is oppressive on many levels, can slowly be carved. When it seems there is nowhere to run, we can try running into the future – and from there, start to reshape the present.
Andersson plays with the rigidity of academic language, which she uses with a degree of hyperbole and projects with a jovial delivery, full of sexual harassment and misogynistic remarks. The author breaks down our boundaries – just as she breaks down the barriers of the sexual undertones and hidden manifestations in the manner of communication of the masculine pop world.
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