sound Veronika Švecová 15 results

Veronika Švecová

The plumbing work you did here is disastrous - not stupid, not sloppy - just absolutely disastrous.
Music [under your feet] is the first exhibition of Rolf Julius in the Czech Republic. However, his traces can be found elsewhere. The archive of Jiří Valoch contains several works that Julius dedicated to Jiří Valoch and Milan Knížák.
The environmental aspect of Hussite thinking is particularly noteworthy. Like today's generations, the Hussites lived with the prospect of dramatic changes in the world (or even its end, as it was known at the time) either approaching or already underway. As a result, their radically revolutionary agenda also carried with it a significant dimension of what today could be described by the popular term "degrowth."
The exhibition is concerned with contemplative pieces that exist in themselves as unfolding inquiries, probes that fluidly transition from the quotidian to the exceptional utilizing technical means as a virtual haptic pathway inviting us to delve deeper, to consider and reconsider.
How do we speak the law? The enactment of the legal is a social construct brought about before the law and after its fictions. As socialised ghosts, our collective minds register each other’s codes, through methodical patterns of self-elevating humans.
The artistic team is meeting in the underground space to explore the psychoacoustic attributes of sound, and the physical limits and resonance properties of the human body; the use of music during rituals and religious ceremonies, and the possibility of connecting occultism, music, and sound as a means of communication, meditation and spiritual work.
The long life of industrial products, their slow decomposition and their subsequent journey into the earth - with all this, the artist gives nature and geological time a far more optimistic perspective than we as humans can attribute to ourselves. We now know that the garbage patch in the Pacific Ocean has exceeded the size of Texas and is approaching the size of all of North America.
Conceptual artist, performer, and writer Milan Kozelka (1948‒2014) left an indelible mark on Czech art, especially in the 1980s and 1990s. He devoted himself to poetry from the 1960s onwards, and his poems are now considered part of the Czech response to American Beat literature. At the turn of the 1970s and 1980s, he turned his attention to action art.
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