artists Tomáš Svoboda 30 results

Tomáš Svoboda

These two exhibitions share a certain local specificity. The Screenopolis exhibition attempts to reflect certain local themes through contemporary art, while Marian Palla's exhibition presents a locally based artist and his work. At the same time, there is a certain connection between the authors of these two exhibitions in that both subscribe to conceptual thinking.
The exhibition Late Intimacy responds to the pressure to disclose private matters that intimacy currently faces. This pressure is evident in both the mass media and social networks, which are programmed to exploit our need for social acceptance and reward, and is also present in the hidden monitoring and analysis of our behavior in physical and digital space. We are increasingly aware that the ultimate goal of this pressure is to obtain material that can be exploited for commercial or political gain.
The curators displayed in glass show-cases toys belonging to forty artists, art theoreticians and architects who grew up in the 1970s and 80s. When we look back we realize that the exhibition was partly a serious and partly an ironic commentary of this kinship and an advance signal of the advent of the period of normalization which became a basic source for the work of a number of Czech artists after the year 2000.
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