cast Vít Havránek 9 results

Vít Havránek

The outward appearance of Olowska’s female subjects is equally as important as the historical memories interwoven seamlessly throughout her collages and paintings. Olowska’s treatment of her subject’s materialization acts as a direct display of the spirit of the individual, which is likely to be contrasted against a uniformed surrounding reminiscent of life experienced behind the iron curtain.
The conversation will examine the methods used by ethnography during field research and the investigation of the survivors, witnesses and victims of violence involving wartime, community, domestic and sexual violence. The speakers will examine these methods in the light of the film by Renzo Martens Enjoy Poverty. Martens proposes that local photographers in the strife-torn Democratic Republic of Congo use human poverty as the main source of national wealth. In the film he offers advice on how to capture images of one’s own poverty.
As we can see in the program of Tranzit, Havránek´s theoretical interest is not closely concerned with the autonomous position of visual art but he always reflects its broader global and political context.
In this video Artyčok.TV examines Artbanka with a critical eye. Artbanka defines itself as being a non-profit project that helps young artists to get their foot in the door of this competitve art world. Under closer inspection one discovers the project is not as charitable as it first appears. After purchasing young Czech and Slovak artists' work, Artbanka rents or lends the work to individuals and companies. Artbanka has closely colaborated with City Gallery Prague, and this video scrutinises the two institutions' relationship through a series of interviews that highlights their somewhat sketchy partnership.