Lectures

Luis Camnitzer

Luis Camnitzer was born in Lübeck, Germany in 1937. At one year of age, his family left for Uruguay, where he was raised. He studied in Montevideo, and after receiving the Guggenheim Fellowship in 1961, he left for the USA in 1964, settling in New York City. Initially emigrating for his career, when the political situation changed in Uruguay to a brutal dictatorship in 1973, he found himself in exile. This initiated the subjects that appear in his work to date: identity and exile, otherness, resistance, while also imbuing political content within his writing and practice.

The use of printed language is the primary visual element in Camnitzer´s body of work. The selection of works at tranzitdisplay spans from the 1960s to the present, including two new projects for the Czech audience. The show includes what is considered his first conceptual piece, This is a mirror. You are a written sentence (1966), which has been reformulated for the local public. The text-based artworks have all been translated into the Czech language in order to make their original meanings more accessible.

artistsLuis Camnitzer
curatorsSilvina Arismendi, Vít Havránek
placetranzitdisplay
tags
castVít Havránek, Luis Camnitzer
cameraSikora Erik
editingSikora Erik
categoryLectures
published8. 7. 2011
languageČesky / English
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Luis Camnitzer
“I’m surprised how playful people are” my mom said when she saw a neighbor selling agricultural machines, horses, and eventually the entire farm just to be able to spend the whole day at the slot machine. Such “playfulness” is gradually emerging today in almost every area of ​​education, work and leisure. For this tendency, the term gamification, which is predominantly designed from the perspective of service marketing, has come to life. The game is defined, among other things, as “the role of a voluntary control system in which opposing forces are restricted by procedures and rules to produce an imbalance.”
The choir of voices that is at times consonant and at times dissonant seeks know-how for undermining the bold narratives that revolve around heroic, autonomous figures who exert extraordinary power to overcome obstacles. Where does the saying about the events which make us stronger unless they kill us come from, and what is the actual meaning of the word “stronger” anyway?