Reports

Bread and Games

In his show, Bread and Games, Marián Grolmus focuses especially on the games that – boldly and frankly – serve as a maneuver concealing military operations or masking a regime that ignores human rights, but we all watch them anyway. During the London Olympics there were reports made public about the volume of military technology deployed in order to “protect” the sport areas, notwithstanding the fact that in any potential case of its use, this technology would harm first and foremost the civilians. But we don’t have to seek examples as far as in Beijing, London or Sochi. The idea to organize Winter Olympics in High Tatras keeps coming back regularly every time, when there is a need to create a political distraction. And a nation can still more easily identify with a sportsman, be it a hero on a bicycle, or a bunch of agile youth on ice and on a lawn.
Meanwhile the propaganda mutates, adapts, it is stylized, shining even, but the enemy stays the same. Maybe it’s now closer than we are willing to admit.

artistsMarian Grolmus
curatorsKatarína Gatialová
placePlusmínusnula
tags
castKatarína Gatialová, Marian Grolmus
cameraJakub Julény
soundJakub Julény
editingJakub Julény
interviewJakub Julény
translationPalo Fabuš
categoryReports
published30. 9. 2014
languageČesky / English
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Bread and Games
The Grey Brick 34/1993 exhibition, included works by 34 artists born between 1941 and 1964 chosen by the jury whose members were Jana Geržová, Mahulena Nešlehová and Petr Nedoma. This successful summer exhibition took place in the gallery U Bílého jednorožce (At the White Unicorn) in the square in Klatovy and also in the Chateau Klenová and its park.