Reports

The 2014 Graduates from the Academy of Fine Arts in Prague

The exhibition of works by the fresh graduates from the 18 studios of the Academy of Arts, Architecture and Design in Prague represents the traditional ceremonial end of the academic year, this time involving 47 students. The graduates from the studios of painting, drawing, graphic arts, sculpture, restoration, architecture and conceptual, monumental and intermedia work present a very variegated installation curated by the two lecturers from the Studio of Painting IV at the AVU, Prof. Martin Mainer and Samuel Paučo.

artistsJakub Tytykalo, Lenka Jirková, Michal Drozen, Filip Kotlář, Marek Goliaš, Birgitt Fischer, Simona Krausová, Josefína Nesvadbová, Michaela Butková, Jan Poupě, Adéla Součková, Kateřina Zochová, Tomáš Prchal, Kateřina Samková, Marie Krajplová, Matyáš Chochola, Adam Kovalčík, Lucie Juřičková, Tereza Reichová, Jaroslava Kadlecová, Iveta Muchová, Jana Hlavová, Michaela Burcaková, Dominika Dworokowá, Eliška Perglerová, Eva Vláčilíková, Matěj Smrkovský, Pavel Kučera, Aneta Šebelková, Marek Kolář, Iveta Čermáková, Petra Tušerlová, Tomáš Vrána, Markéta Mráčková, Josef Rossí, Petr Gruber, Barbora Kleinhamplová, Karolína Klimešová, Vojtěch Jemelka, Miroslav Žán, Bořek Peška, Libor Kocanda, Ondřej Kraják, Luboš Vetengl, Martin Herold, Vojtěch Linart, Vojtěch Fröhlich, Ondřej Roubík
curatorsMartin Mainer, Samuel Paučo
placeNárodní galerie v Praze – Veletržní palác
tags
cameraMaria Kittler
soundMaria Kittler
editingMaria Kittler
categoryReports
published18. 9. 2014
languageČesky / English
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The 2014 Graduates from the Academy of Fine Arts in Prague
In her exhibition designs she lays emphasis on simplicity, moderation and compactness. They do not hesitate to include also striking or unsettling elements. However, according to them it is essential that the design of the exhibition does not overpower or overshadow the exhibits but it must become their partner. They also believe that the installation may contribute to the interpretation of the displayed art works. It is equally important for them that the exhibition design is created in a mutual dialogue between all the people involved.
What can we do within the confines of the present? What are the discursive possibilities and conditions of accelerationism? What are the investments and aspirations for such a language and for such an endeavor?