Reports

Kateřina Zochová, David Landa / Veronika Vlková, Antonín Koutný, Vj Kolouch

Kateřina Zochová and David Landa 

 Their art is based on the tradition of cutout animation. The artists compose fine drawings, paper puppets, and objects live during the screening, using sampling and immediate digital postproduction in PureData. The various pieces of each frame are first sketched in stages just like in cinematic animation. Then they are scanned or shot by a camera and handled like virtual paper puppets. In this unusual artistic arrangement, the artists apply a nearly monochromatic color range and a combination of digital montage with actual physical alterations to the paper.

 

Veronika Vlková, Antonín Koutný and VJ Kolouch

The musical part of the program arose from past Vlková and Koutný’s past collaboration within the Teve project, which also liked to use overhead projectors and light projections. Today’s musical program skewed away from their usual psychedelic music towards a more uniformly improvised and atmospheric music. In the spirit of their other Brno projects, the trio creates intensive moods and emotions using clearly formulated visuals and intuitive musical improvisation.

artistsDavid Landa, Antonín Koutný, Kateřina Zochová, Veronika Vlková, Kolouch VJ
placeŠkolská 28: Komunikační prostor
tags
castDavid Landa, Antonín Koutný, Kateřina Zochová, Veronika Vlková, Kolouch VJ
cameraSikora Erik
soundSikora Erik
editingSikora Erik
interview2046
translationEva Maršíková
categoryReports
published15. 3. 2011
languageČesky / English
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Kateřina Zochová, David Landa / Veronika Vlková, Antonín Koutný, Vj Kolouch
The „feature“ film Floodlit Death was made in 2000 by Ivan Mečl and Kakalík (David Kalika) in the production of TeleDVision of the Divus publishing house. Actors and mostly visual artists came from the Divus circle. The film shows the Prague ferocity in the 90ies with a typical period background – advertising agencies, mafia and the Persian Gulf War veterans. Not only the main character of a detective cannot deny the affinity to Vít Soukup's films.