Reports

The need for practice

The starting point of this exhibition is self-organisation viewed as a meaningful practice which allows for linking individual initiative to common interest, making visible and filling in gaps in the system, opening up space for doing things in different way. Rather than collecting various examples of self-organisation, the exhibition focuses on its semantic network with components such as friendship, solidarity, collaboration, the relationship between individual and collective, the production of new forms of knowledge, public space and social imaginary. The selection concentrates on the sphere of art, as arts social function is at stake.
Though the exhibition involves mainly group dynamics as well as linkages between art and activism, not all of the presented projects / works deal with self-organisation in a direct way. Rather, the exhibition comes into being as a self contextualising structure, a pool of concepts, practices and models which may function as tools for constructing a liveable future.

artistsOpustená (re)kreácia, Jonas Staal, ex-artists collective, Verejný podstavec, P.O.L.E., Jana Kapelová, Free artists, h.arta, Chto delat?
curatorsJudit Angel
placeTranzit ateliéry – Hangár
tags
castJudit Angel
cameraPeter Barényi
soundPeter Barényi
editingPeter Barényi
interviewPeter Barényi
categoryReports
published10. 6. 2014
languageČesky / English
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The need for practice
We would like to outline the conditions for a new sensibility and redefine our needs and future actions, based not only on the logic of endless production and consumption, exhausting fragile ecosystems. Last but not least, through this joint rearrangement of basic and small stones, we try to actively integrate non-growth strategies into our lives.
Milan Mikuláštík can hardly be defined solely as a curator. He is well- known above all as a distinctive artist, member of the duo MINA (together with Jan Nálevka) and the group Guma Guar, which he co-founded in 2003. His cooperation with this group as well as his own works – often critical and dealing with political structures of the globalized world – later lead to a similarly focused curator´s work.