Tamara Moyzes tries not to be too academical in her work, her art is straight-forward imagination – she does not comment upon the reality from afar, she enters the very epicentre of all action. The people in her fictitious documentaries are not actors and their artistic “character” only emphasizes and enlarges their real situation. To uncover the current social controversies, the author uses a mixture of documentary, poetic and funny sequences. But the parody is only a strategy, it does not does not ease the situationv – quite on the contrary – it helps her to present the explosive content in a form that is more acceptable to us.
