Profiles

Simona Dumitriu

Simona Dumitriu (b. 1978) is the initiator (in 2011) and member of Platforma space and collective in Bucharest – an artist-run space used for exhibitions and workshops, but also as a meeting place for interdisciplinary, social or political initiatives. Platforma project is developed within MNAC – National Museum of Contemporary Art, in its MNAC Annex building. Currently involved in the collective are also Ileana Faur, Marian Dumitru, Claudiu Cobilanschi (www.platformaspace.wordpress.com).
She is interested in working at the intersection between artistic, teaching and social practices; archival science and theory as applied to visual arts, related to the performance of gender identity and memory in public space; discourse analysis and language/translation based projects; methodologies of collaboration, education and education as art; LGBTQAI activism and queer theory applied to contemporary art, to feminism and to other political issues. In 2014 she began working with Ramona Dima, also her life partner, forming the artistic duo Simona&Ramona and the drag king duo Claude&Dersch. Together they research poetry and archives for feminist and queer traces and affects to be resurrected and reperformed (www.poetrybody.wordpress.com). For this video presentation, she asked Ramona for her collaboration, as well as Ileana Faur. With a background in literary studies, Ramona is currently doing her PhD at the University of Bucharest, on queer culture in the Romanian context. Ileana is also a member of Platforma space and collective and she is finishing her masters’ degree in photography.

artistsSimona Dumitriu
place_Neurčené město
tags
castSimona Dumitriu, Ramona Dima, Ileana Faur
cameraIleana Faur
soundSimona Dumitriu, Ramona Dima, Ileana Faur
editingAlexandra Cioca
interviewSimona Dumitriu, Ramona Dima, Ileana Faur
categoryProfiles
published11. 4. 2015
languageČesky / English
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Simona Dumitriu
The conversation will examine the methods used by ethnography during field research and the investigation of the survivors, witnesses and victims of violence involving wartime, community, domestic and sexual violence. The speakers will examine these methods in the light of the film by Renzo Martens Enjoy Poverty. Martens proposes that local photographers in the strife-torn Democratic Republic of Congo use human poverty as the main source of national wealth. In the film he offers advice on how to capture images of one’s own poverty.