Judith Hütter directed the White Cube in her solo exhibition “The Chamber of the Heart” as a flickering inside a heart chamber. The expansive body of work, consisting of objects, photographs, light and painting, deals with the staging of the soul and psyche rooms. Found objects, mostly edited using acrylic paint and form a part, the creative starting point, but also fulfill a symbolic function.
Hütter essential for operations, are the processes of construction and deconstruction, which manifest themselves loop-like: a game with the perception of space, the origin of symbolism and significance of the change. Another tool in her practice is constructed of chance, which is reflected for instance in the Rorschach, or puzzle-work and creates different interpretations and associations.
