Reports

Turning Stranger

A waify individual approaches a group of friends drinking and playing cards under a tree.
“I was you in a past life.” The stranger says, pointing with her spindly finger to the drunkest player. He barely hears her, but sleeps badly for the next three nights, squirming and sweating under the sheets.
This isn’t the first time someone has tried to play tricks on the man. This town is full of vagrants and eccentrics. But after the third night, he dreams deeply. He dreams he is a child on a farm, tending to the pigs and chickens. The animals are tender and seem to rely on him. The goats in their pen stare up at him with their inquisitive eyes, shaped like keyholes, and ask “What next?”
He is also a goat. His spiral horns knock against doorways. The soil has never been more enticing, and he digs at it with his hooves, searching for tufts of green.

Turning Stranger
The one that leads you to understand time happens all at once.
She will show you the way.

artistsŠimon Sýkora
curatorsChristina Gigliotti
placePolansky Gallery Brno
tags
castŠimon Sýkora
cameraIvan Svoboda
soundIvan Svoboda
editingIvan Svoboda
interviewIvan Svoboda
categoryReports
published1. 3. 2021
languageČesky / English
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Turning Stranger
In today's social climate, the line between folk horror and urban myths is as thin and winding as the old streets of Prague. In our most recent historical memory, we have seen them re-enchanted by the decline in tourism and repopulated by lonely figures of stray night walkers and people excluded from society. The age-old idea of art as a mirror that allows us to see lived reality from a new perspective comes to mind, or perhaps a distorted glass surface can deform shapes and create illusions.