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The disappearance of public spaces is becoming an increasingly common fact associated with modern cities. Current urban development tendencies, driven by market-oriented interests, represent a huge threat to public spaces, and therefore to alternative cultural activities as well. The idea of “the right to the city” conceived and advocated by French sociologist Henri Lefebvre, implies precisely the right of every citizen to the resources of the city and to freely participate in the life of their local community. Guided by this idea Mikro Art organization from Belgrade successfully lobbied city officials to transform a neglected public space in Bezistan Passage (near Terazije Street) into the city’s first Street Gallery for upcoming young artists. Street Gallery is established in April 2012 and project represents a pioneer venture for Belgrade in achieving that an abandoned space is allocated to a citizen group for cultural production purposes.

https://www.facebook.com/UlicnaGalerija?fref=ts

place_Neurčené místo
tags
castRadomir Lazović, Iva Čukić
cameraSiniša Dugonjić, Marija Rodić, Nemanja Ladjic
soundNemanja Ladjic
editingNemanja Ladjic
interviewMarija Rados
categoryProfiles
published13. 5. 2015
languageČesky / English
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Ulična galerija
In their own words, the text is, “the work of ANON. We are a collective of ‘Other.’ Some of us are sex workers, some immigrants, many of us queer. There are even a few privileged white cucks amongst us. Never the less, ANON is largely the work and brainchild of people of color (PoC). Our social disciplines are as varied as our identities: from journalists to dominatrixes. ANON are the intellectual cousins of #BlackLivesMatter divorced from liberalism.”
To grasp the rise of new forms of authoritarianism, propaganda studies are a crucial tool, but we also must look at the particular role of propaganda art. How has the imaginary of art, theater, film, design, architecture and even games, contributed to the authoritarian imagination? And can we imagine forms of popular and emancipatory propaganda art to defend another world view?