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The disappearance of public spaces is becoming an increasingly common fact associated with modern cities. Current urban development tendencies, driven by market-oriented interests, represent a huge threat to public spaces, and therefore to alternative cultural activities as well. The idea of “the right to the city” conceived and advocated by French sociologist Henri Lefebvre, implies precisely the right of every citizen to the resources of the city and to freely participate in the life of their local community. Guided by this idea Mikro Art organization from Belgrade successfully lobbied city officials to transform a neglected public space in Bezistan Passage (near Terazije Street) into the city’s first Street Gallery for upcoming young artists. Street Gallery is established in April 2012 and project represents a pioneer venture for Belgrade in achieving that an abandoned space is allocated to a citizen group for cultural production purposes.

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place_Neurčené místo
tags
castRadomir Lazović, Iva Čukić
cameraSiniša Dugonjić, Marija Rodić, Nemanja Ladjic
soundNemanja Ladjic
editingNemanja Ladjic
interviewMarija Rados
categoryProfiles
published13. 5. 2015
languageČesky / English
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How do bodies queer at the molecular level? How is this queering inextricably tied to industrial capitalism? And is there a way out of capitalist ruins, one that has been further exacerbated by the pandemic?
The conversation will examine the methods used by ethnography during field research and the investigation of the survivors, witnesses and victims of violence involving wartime, community, domestic and sexual violence. The speakers will examine these methods in the light of the film by Renzo Martens Enjoy Poverty. Martens proposes that local photographers in the strife-torn Democratic Republic of Congo use human poverty as the main source of national wealth. In the film he offers advice on how to capture images of one’s own poverty.